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Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial China's unfinished skyscraper
Editorial Scraper operator Andrei Novikov
Editorial Augusto Guglielmi (Lithographer) (The original work, according to inscriptions, attributed to Not identified); Bernard van Orley (After); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Virgin and Child w...
Editorial Pharamond Blanchard (Lithographer) (After Both, Jan); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'Taking the Cattle out'. 1826 - 1829. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper...
Editorial Cayetano Palmaroli (Lithographer) (After Vel?zquez, Diego Rodr?guez de Silva y); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Adoration of the Magi'. 1832 - 1837. Lithographic aquatint, Crayon lithogra...
Editorial Peter Paul Rubens (and workshop); Jos? Jorro (Lithographer); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Rape of Hippodamia'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, P...
Editorial Florentino Decraene (Lithographer) (After Murillo, Bartolom? Esteban); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'Rebecca and Eliezer'. 1826 - 1829. Lithographic aquatint, Crayon lithography, Scraper on ...
Editorial Florentino Decraene (Lithographer) (After Vel?zquez, Diego Rodr?guez de Silva y); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Surrender of Breda'. 1829 - 1832. Lithographic aquatint, Crayon lithograph...
Editorial Ludwid Theodor Z?llner (Lithographer) (After Titian (Tiziano Vecellio)); Real Establecimiento Litogr?fico de Madrid (Printer); Jos? de Madrazo y Agudo (Lithographer) / 'The Andrians'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithogra...
Editorial Pierre Jacques Feillet (Lithographer) (After Rubens, Peter Paul); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Three Graces'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, Sc...
Editorial Florentino Decraene (Lithographer) (After Vel?zquez, Diego Rodr?guez de Silva y); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Surrender of Breda'. 1829 - 1832. Lithographic aquatint, Crayon lithograph...
Editorial Florentino Decraene (Lithographer) (After Vel?zquez, Diego Rodr?guez de Silva y); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Surrender of Breda'. 1829 - 1832. Lithographic aquatint, Crayon lithograph...
Editorial Alejandro Blanco y Assensio (Lithographer) (After Vel?zquez, Diego Rodr?guez de Silva y); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Feast of Bacchus'. 1832 - 1836. Lithographic aquatint, Crayon lith...
Editorial Eskimo, Native American, Scraper/Knife Handle, ca. 1300, ivory, Overall: 3 5/8 ? 1 ? 3/8 inches (9.2 ? 2.5 ? 1 cm).
Editorial Florentino Decraene (Lithographer) (After Murillo, Bartolom? Esteban); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Publisher) / 'The Immaculate Conception of El Escorial'. 1826 - 1829. Lithographic aquatint, Crayon l...
Editorial Pierre Jacques Feillet (Lithographer) (After Vel?zquez, Diego Rodr?guez de Silva y); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'Coronation of the Virgin'. 1829 - 1832. Lithographic aquatint, Crayon litho...
Editorial Pierre-Jules Jollivet (Lithographer) (After Rubens, Peter Paul); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'Philip II on Horseback'. 1826 - 1829. Lithographic aquatint, Crayon lithography, Printing on ja...
Editorial Cayetano Rodr?guez (Lithographer) (After Ribera, Jusepe de, lo Spagnoletto); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'Jacob?s Dream'. 1829 - 1932. Lithographic aquatint, Crayon lithography, Pen lithogr...
Editorial Vicente Camar?n y Torra (Lithographer) (After Murillo, Bartolom? Esteban); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Infant Christ and Saint John the Baptist with a Shell'. 1829 - 1932. Lithographic...
Editorial Juan Antonio L?pez (Lithographer) (The original work, according to inscriptions, attributed to Carducho, Vicente); Alessandro Turchi (After); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Baptism of Chr...
Editorial Juan Antonio L?pez (Lithographer) (After Coello, Claudio); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Virgin and Child adored by Saint Louis, King of France'. 1829 - 1832. Lithographic aquatint, Cray...
Editorial Cayetano Palmaroli (Lithographer) (After Turchi, Alessandro); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Flight into Egypt'. 1832 - 1837. Lithographic aquatint, Crayon lithography, Pen lithography, P...
Editorial Florentino Decraene (Lithographer) (After Rubens, Peter Paul); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Adoration of the Magi'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Printing on j...
Editorial Giorgio Vasari; Augusto Guglielmi (Lithographer) (The original work, according to inscriptions, attributed to Chimenti, Jacopo); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Agony in the Garden'. 1832 ...
Editorial Jean Louis Canon (Lithographer) (The original work, according to inscriptions, attributed to Cerezo, Mateo); Juan Mart?n Cabezalero (After); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Assumption of t...
Editorial Gaspar Sensi y Baldachi (Lithographer) (After Sarto, Andrea del (Andrea d'Agnolo)); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Sacrifice of Isaac'. 1826 - 1829. Lithographic aquatint, Crayon lithogra...
Editorial Paolo Guglielmi (Lithographer) (After Juanes, Juan de (Vicente Juan Masip)); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'Saint Stephen accused of Blasphemy'. 1826 - 1829. Lithographic aquatint, Crayon lit...
Editorial Florentino Decraene (Lithographer) (After Vel?zquez, Diego Rodr?guez de Silva y); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Surrender of Breda'. 1829 - 1832. Lithographic aquatint, Crayon lithograph...
Editorial Foot Scraper. Dated: c. 1938. Dimensions: overall: 28 x 35.5 cm (11 x 14 in.). Medium: watercolor, graphite, pen and ink, and gouache on paperboard.
Editorial Foot Scraper. Dated: c. 1936. Dimensions: overall: 27.8 x 22.8 cm (10 15/16 x 9 in.). Medium: watercolor, graphite, and gouache on paper.
Editorial Foot Scraper. Dated: c. 1936. Dimensions: overall: 29 x 22.2 cm (11 7/16 x 8 3/4 in.). Medium: graphite, colored pencil, pen and ink, and gouacheon paper.
Editorial Foot Scraper. Dated: c. 1939. Dimensions: overall: 24.6 x 33.8 cm (9 11/16 x 13 5/16 in.). Medium: graphite on paperboard.
Editorial Cast Iron Foot Scraper. Dated: 1937. Dimensions: overall: 24.4 x 35.5 cm (9 5/8 x 14 in.). Medium: graphite on paperboard.
Editorial Foot Scraper. Dated: c. 1942. Dimensions: overall: 23 x 28.1 cm (9 1/16 x 11 1/16 in.). Medium: watercolor, graphite, and gouache on paperboard.
Editorial Foot Scraper. Dated: c. 1938. Dimensions: overall: 33.2 x 22.2 cm (13 1/16 x 8 3/4 in.). Medium: graphite and colored pencil on paperboard.
Editorial Oven Scraper. Dated: c. 1939. Dimensions: overall: 29.4 x 22.9 cm (11 9/16 x 9 in.) Original IAD Object: 10" wide; 3 5/8" high; 4" long. Medium: graphite on paperboard.
Editorial Foot Scraper. Dated: c. 1940. Dimensions: overall: 35 x 24.6 cm (13 3/4 x 9 11/16 in.). Medium: graphite on paperboard.
Editorial Foot Scraper. Dated: 1937. Dimensions: overall: 35.8 x 24.8 cm (14 1/8 x 9 3/4 in.). Medium: graphite on paperboard.
Editorial Foot Scraper. Dated: c. 1937. Dimensions: overall: 21.9 x 28.8 cm (8 5/8 x 11 5/16 in.). Medium: graphite on paperboard.
Editorial Foot Scraper. Dated: c. 1940. Dimensions: overall: 36.4 x 29 cm (14 5/16 x 11 7/16 in.). Medium: graphite on paperboard.
Editorial Foot Scraper. Dated: 1937. Dimensions: overall: 24.3 x 35.9 cm (9 9/16 x 14 1/8 in.). Medium: graphite on paperboard.
Editorial Foot Scraper. Dated: 1935/1942. Dimensions: overall: 23.2 x 30.4 cm (9 1/8 x 11 15/16 in.). Medium: graphite on paper.
Editorial Foot Scraper. Dated: c. 1941. Dimensions: overall: 26.2 x 35.3 cm (10 5/16 x 13 7/8 in.). Medium: graphite on paperboard.
Editorial Model of a 30-Pounder Gun on Deck, Model of a 30-pound cannon on a horse on a ship part, with all its accessories. The barrel is painted wood and black, has a length of 63.4 cm and a caliber of 34 mm, the grape is flat from behind and has a refractive ...
Editorial Some of the tools Moshood Olusomo Bamigboye used: two carving knives on left with finials in the shape of a woman’s head, and the scraper at right, in the shape of a man’s head, on display at the Yale University Art Gallery in New Haven, Conn., Oct. 13, 2022. (Christopher Capozziello/The New York Times)
Editorial Florentino Decraene (Lithographer) (After Vel?zquez, Diego Rodr?guez de Silva y); Jos? de Madrazo y Agudo (Director); Real Establecimiento Litogr?fico de Madrid (Printer) / 'The Surrender of Breda'. 1829 - 1832. Lithographic aquatint, Crayon lithograph...
Editorial Francisco de Goya y Lucientes / 'The Famous American Mariano Ceballos'. 1825. Crayon lithography, Scraper on wove paper.
Editorial Francisco de Goya y Lucientes / 'Plaza partida'. 1825. Crayon lithography, Scraper on wove paper.
Editorial Francisco de Goya y Lucientes / 'The Famous American Mariano Ceballos'. 1825. Crayon lithography, Scraper on wove paper.
Editorial Francisco de Goya y Lucientes / 'Plaza partida'. 1825. Crayon lithography, Scraper on wove paper.
Editorial Axe for splitting wood. Ulverud, Gran k., Oppland. Viking age. Norway. Axe. Unknown. 9th century. Moulding scraper. Grotheim, Lom K., Oppland. 10th century. Norway. Historical Museum. Oslo. Norway.