EditorialOctober 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156), Thomas Stothard, 17551834, British, undated, Gray wash with pen and black ink on thin, smooth, cream wove paper, Sheet: 3 3/4 ? 4 1/2 inches ...
EditorialFour tournament judges, juges diseurs, and the king of arms, roi d'armes, 15th century. The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes). The king of arms wears a chlamys with a parchment painting of the coats of arms of t...
EditorialOctober 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156), Thomas Stothard, 17551834, British, undated, Gray wash with pen and black ink on thin, smooth, cream wove paper, Sheet: 3 3/4 ? 4 1/2 inches ...
EditorialFebruary 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: Tressilian Drew His Sword as He Spoke (Vol. 1, P. 89), Thomas Stothard, 17551834, British, undated, Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper, S...
EditorialTwelfth Night, Act V, Scene I: The Street, Print made by Francesco Bartolozzi RA, 17281815, Italian, active in Britain (176499), after William Hamilton, 17511801, British, 1803, Engraving on medium, smooth, cream wove paper, Sheet: 20 x 29 1/2 inches (...
EditorialFalstaff Disguised as Herne, John Massey Wright, 17771866, British, undated, Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm), antlers, breeches, celebration,...
EditorialJuly 1st: She Sat Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85), Thomas Stothard, 17551834, British, undated, Gray wash with pen and black ink on thin, smooth, cream wove paper, Sheet: 3 3/4 ? 4 3/8 inches (9.5 ? 11...
EditorialLaunce Teaching His Dog Crab, Henry William Bunbury, 17501811, British, undated, Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderate...
EditorialTaming of the Shrew, Robert Smirke, 17521845, British, and / or Mary Smirke, 17791853, British, 1821, Engraving on medium, slightly textured, cream laid paper, Sheet: 17 1/8 x 11 5/8 inches (43.5 x 29.5 cm), Plate: 10 3/8 x 7 3/4 inches (26.4 x 19.7 cm...
EditorialTwelfth Night, Act III, Scene IV: Olivia's House, Thomas Ryder, 17461810, Irish, after Johann Heinrich Ramberg, 17631840, German, active in Britain (178188), 1803, Stipple engraving on medium, smooth, cream laid paper, Sheet: 20 x 29 1/2 inches (50.8 x...
EditorialCostume of the late 15th century from a scene of murder: men in skrimp doublets, padded shoulders, tight sleeves, hats with a single feather and high boots, woman in tall conical hat with high-waisted dress, tight sleeves and broad girdle. From the man...
EditorialGerman mercenaries (Landsknechte), 1510-1550. They show a fantastic variety of colour and form in their quilted, slashed doublets, stockings, plumes, garters and leather shoes. From handcoloured woodcuts by artists in Mainz. Chromolithograph from Hefne...
EditorialTwo Swiss knights in battle garb holding a heraldic shield with image of a fish, halberd and lance, 1510-1550. They wear quilted doublets, breeches, stockings, codpiece and garters. From a stained glass in Nilkheim bei Aschaffenburg. Chromolithograph f...
EditorialGerman mercenaries (Landsknechte), 1510-1550. They show a fantastic variety of colour and form in their quilted, slashed doublets, stockings, plumes, garters and leather shoes. From handcoloured woodcuts by artists in Mainz. Chromolithograph from Hefne...
EditorialSwordfight by fencers with two-handed swords, 16th century. They wear slashed doublets over slashed culottes and stockings and codpieces. From Joachim Meyer's "Thorough Descriptions of the Art of Fencing," 1561. Chromolithograph from Hefner-Alteneck's ...
EditorialItalian male costumes of the late 15th century. Soldier in armour A and soldier in Eisenhut or kettle hat C from an oil painting, Landsknecht lancer B from an enamel painting, and men in mi-parti doublets from German playing cards. Chromolithograph fro...
EditorialCostume of the late 15th century from a scene of murder: men in skrimp doublets, padded shoulders, tight sleeves, hats with a single feather and high boots, woman in tall conical hat with high-waisted dress, tight sleeves and broad girdle. From the man...
EditorialGerman mercenaries (Landsknechte), 1510-1550. They show a fantastic variety of colour and form in their quilted, slashed doublets, stockings, plumes, garters and leather shoes. From handcoloured woodcuts by artists in Mainz. Chromolithograph from Hefne...
EditorialTwo Swiss knights in battle garb holding a heraldic shield with image of a fish, halberd and lance, 1510-1550. They wear quilted doublets, breeches, stockings, codpiece and garters. From a stained glass in Nilkheim bei Aschaffenburg. Chromolithograph f...
EditorialGerman mercenaries (Landsknechte), 1510-1550. They show a fantastic variety of colour and form in their quilted, slashed doublets, stockings, plumes, garters and leather shoes. From handcoloured woodcuts by artists in Mainz. Chromolithograph from Hefne...
EditorialSwordfight by fencers with two-handed swords, 16th century. They wear slashed doublets over slashed culottes and stockings and codpieces. From Joachim Meyer's "Thorough Descriptions of the Art of Fencing," 1561. Chromolithograph from Hefner-Alteneck's ...
EditorialFour tournament judges, juges diseurs, and the king of arms, roi d'armes, 15th century. The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes). The king of arms wears a chlamys with a parchment painting of the coats of arms of t...