EditorialThe Blindness of Tobit: The Larger Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1651. Dimensions: 160 x 129 mm (image/plate); 162 x 130 mm (sheet). Etching with drypoint on ivory laid paper. Origin: Holland.
EditorialSketch for the Oil Painting 'The Conversion of St. Paul', unknown artist, eighteenth century, after Sir James Thornhill, 16751734, British, undated, Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper, Sheet...
EditorialPalestinians listen to TV during the match between Morocco VS Canada, in the Qatar World Cup FIFA 2022, in Gaza city, Gaza city, Gaza Strip, Palestinian Territory - 01 Dec 2022
EditorialSeats are arranged in socially distant pairs for an immersive audio adaptation of the novel “Blindness,” at the Daryl Roth Theater in New York, April 2, 2021. (Sara Krulwich/The New York Times)
EditorialSeats are arranged in socially distant pairs for an immersive audio adaptation of the novel “Blindness,” at the Daryl Roth Theater in New York, April 2, 2021. (Sara Krulwich/The New York Times)
EditorialSeats are arranged in socially distant pairs for an immersive audio adaptation of the novel “Blindness,” at the Daryl Roth Theater in New York, April 2, 2021. (Sara Krulwich/The New York Times)
EditorialThe Blindness of Tobit: The Larger Plate. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1651. Dimensions: 160 x 129 mm (image/plate); 162 x 130 mm (sheet). Etching with drypoint on ivory laid paper. Origin: Holland.
EditorialThe Blinding of Elymas, Sir James Thornhill, 16751734, British, between 1709 and 1717, Black chalk and gray wash and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/8 x 5 3/4 inches (20.6 x 14.6 cm), arches, blindness, people, relig...
EditorialSketch for the Oil Painting 'The Conversion of St. Paul', unknown artist, eighteenth century, after Sir James Thornhill, 16751734, British, undated, Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper, Sheet...
EditorialThe Conversion of Saul, Attributed to John Martin, 17891854, British, undated, Watercolor, pen and brown ink, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm), awe, ...
Editorialglass pane, Anonymous, second half 16th - first half 17th century, glass, lead, General: 26 x 21 x 0.2cm 260 x 210 x 2mm, biblical scene, Rectangular glass pane with a stained scene of Tobias and the Angel, from the bible book Tobit. Tobias, traveling ...
Editorialglass pane, Anonymous, second half 16th - first half 17th century, glass, lead, General: 26 x 21 x 0.2cm 260 x 210 x 2mm, biblical scene, Rectangular glass pane with a stained scene of Tobias and the Angel, from the bible book Tobit. Tobias, traveling ...
Editorialglass pane, Anonymous, second half 16th - first half 17th century, glass, lead, General: 26 x 21 x 0.2cm 260 x 210 x 2mm, biblical scene, Rectangular glass pane with a stained scene of Tobias and the Angel, from the bible book Tobit. Tobias, traveling ...
EditorialTapestry, Elymas the Sorcerer Struck with Blindness, 1600-1650 One of a set of eight depicting the acts of the Apostles, after the cartoons of Raphael., Applied Arts, Textiles, Tapestry, Bible.
EditorialTobias Healing His Father's Blindness, c. 1640-1645. Rembrandt van Rijn (Dutch, 1606-1669). Pen and brown ink, touched with white gouache, framing lines in brown ink; sheet: 21.1 x 17.7 cm (8 5/16 x 6 15/16 in.).
EditorialThe Blindness of Tobit: A Sketch, ca. 1825, Etching, Sheet: 3 in. ? 2 1/8 in. (7.6 ? 5.4 cm), Prints, William James Smith (British, active London 1824?26), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606?1669 Amsterdam).