EditorialCatherine Hurlin (aloft) and Aran Bell (kneeling) in Alexei Ratmansky’s “Of Love and Rage,” performed by the American Ballet Theater in New York on June 20, 2022. (Julieta Cervantes/The New York Times)
EditorialCatherine Hurlin, left, and Aran Bell rehearse Alexei Ratmansky?s ?Of Love and Rage? in New York on May 31, 2022. (Nate Palmer/The New York Times)
EditorialCatherine Hurlin, left, and Aran Bell in Jessica Lang’s “Let Me Sing Forevermore” at the David H. Koch Theater in New York, Oct. 16, 2019. (Andrea Mohin/The New York Times)
EditorialHee Seo and Aran Bell perform with members of American Ballet Theater in the premiere of Alexei Ratmansky’s “The Seasons,” at the 2019 spring gala at the Metropolitan Opera House in New York, May 20, 2019. (Andrea Mohin/The New York Times)
EditorialWoman of Aran, Catalonia, Spanish Pyrenees, 19th century. She wears a kerchief over her hair braided with ribbons, fichu, wool skirt, and carries a basket and earthenware jug. Handcoloured copperplate engraving by Georges Jacques Gatine after an illust...
EditorialAnonymous. Catalonia. La Seu Urgell 1200 workshop and anonymous. Toses baldachin, first third of 13th century, from the Church of Sant Cristofol de Toses; Altar frontal from Sant Roma de Vila, first third of 13th century, from Encamp (Andorra) and Cros...