EditorialAfter Benjamin West, The Finding of the Body of Clytemnestra, American, After Benjamin West (American, Swarthmore, Pennsylvania 17381820 London), Possibly made in England; Possibly made in United States, American, Pen and black ink, watercolor washes, ...
EditorialBenjamin West, Omnia Vincit Amor, or The Power of Love in the Three Elements, American, Benjamin West (American, Swarthmore, Pennsylvania 17381820 London), 1809, American, Oil on canvas, 70 3/8 x 80 1/2 in. (178.8 x 204.5 cm), Paintings.
EditorialAfter Benjamin West, Anotomaical Description of the Hand and the Wrist, American, After Benjamin West (American, Swarthmore, Pennsylvania 17381820 London), Possibly made in England; Possibly made in United States, American, Black ink, watercolor washes...
EditorialThomas Rowlandson, R.A.'s of Genius Reflecting on the True Line of Beauty, at the Life Academy Somerset House, 'English Spy', Thomas Rowlandson (British, London 17571827 London), Charles Molloy Westmacott (British, 1786/871868 Paris), Benjamin Robert H...
EditorialBenjamin West, Scene at Margate, American, Benjamin West (American, Swarthmore, Pennsylvania 17381820 London), American, Pen, brown ink, and white chalk on blue laid paper, 4 1/2 x 7 in. (11.4 x 17.8 cm), Drawings.
EditorialBenjamin West, Sarah Ursula Rose, American, Benjamin West (American, Swarthmore, Pennsylvania 17381820 London), 1756, American, Oil on canvas, 29 x 23 3/8 in. (73.7 x 59.4 cm), Paintings.
Editorial'Off, off, you lendings?Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4), 1793, Etching and engraving, image: 17 3/8 x 23 5/16 in. (44.2 x 59.2 cm), Prints, William Sharp (British, London 1749?1824 London), After Benjamin West (American, Sw...
EditorialSwarthmore's bench during a game in the Centennial Conference tournament, at the college in Swarthmore, Pa., Feb. 29, 2020. (Michelle Gustafson/The New York Times)
Editorial'Off, off, you lendings?Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4), 1793, Etching and engraving, image: 17 3/8 x 23 5/16 in. (44.2 x 59.2 cm), Prints, William Sharp (British, London 1749?1824 London), After Benjamin West (American, Sw...
EditorialDrawings and Prints, Print, King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7), Publisher, Engraver, Artist, Subject, (?), After, Benjamin Beale Evans, Francesco Bartolozzi, Benjamin West, William Shakespeare, British, ca. 1765?1824, Itali...
EditorialHector taking leave of Andromache: the Fright of Astyanax, 1766, Pen, brown ink, brush, brown wash, blue watercolor, touches of gouache over traces of black chalk, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Benjamin West (American, Swarthmore, Pennsylvani...
EditorialStudy for 'Alexander III, King of Scotland, Saved from a Stag by Colin Fitzgerald', 1784, Pen and brown ink, brown ink washes, black chalk, and graphite on off-white (now oxidized) laid paper., 13 5/8 x 20 1/8 in. (34.6 x 51.1 cm), Drawings, Benjamin W...
EditorialStudy for the Crucifixion, 1788, Brown ink applied by brush and pen, black chalk underdrawing; laid paper prepared with a light golden brown wash, 18 1/2 x 12 in. (47.0 x 30.5 cm), Drawings, Benjamin West (American, Swarthmore, Pennsylvania 1738?1820 L...