EditorialSimone Martini (c._1284-1344). Italian painter. Sienese school. Madonna from the Annunciation Scene, 1340-1344. Right-hand wing of a folding diptych. Tempera on panel. The State Hermitage Museum. Saint Petersburg. Russia.
EditorialINTERIOR- CATEDRAL GOTICA COMENZADA EN 1344 Y TERMINADA DEFINITIVAMENTE EN 1929. MATHIEU DE ARRAS (1290-1352) y PETER PARLER (1330. CARLOS IV DE LUXEMBURGO. CARLOS I DE BOHEMIA.
EditorialVirgin of the Annunciation - 14th century - 23,5x14,5 cm - oil on panel - Siena School. SIMONE MARTINI (1280-1344). ESPIRITU SANTO. VIRGEN DE LA ANUNCIACION.
EditorialBishop and priest of the Syrian Church. The Bishop wears red, yellow and blue robes and carries a crozier; the priest wears a white dress with red head-cloth and carries a staff. c.1828. Watercolour. Source: Add.Or.1344.
EditorialPortrait of Maria Taglioni, ballet dancer, dressed for her performance in 'La Sylphide'. Beauties of the Opera and Ballet. London, 1845. Black and white plate. Source: 1344.n.40, opposite page 81. Language: English.
EditorialScene from 'La Sylphide', a romantic ballet. James, a Scottish farmer, pursues the sylph through the woods. Beauties of the Opera and Ballet. London, 1845. Black and white engraving / illustration. Source: 1344.n.40, page 92. Language: English.
EditorialScene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman, watches Ondine, the water sprite. Beauties of the Opera and Ballet. London, 1845. Black and white illustration. Source: 1344.n.40, page 69. Language: English.
EditorialFanny Elssler, (1810-84). Austrian ballet dancer. Portrait. . Beauties of the Opera and Ballet. London, 1845. Black and white plate. Source: 1344.n.40, opposite page 49. Language: English.
EditorialCarlotta Grisi. (1819-40). Italian ballet dancer. Portrait. Beauties of the opera and ballet. London, 1845. Black and white plate. Source: 1344.n.40, plate 1. Language: English.
EditorialScene from 'Ondine, or the Naiad', a ballet. Matteo, the fisherman, sees the naiad arise from the water, standing on a sea shell. Beauties of the Opera and Ballet. London, 1845. Black and white engaving / illustration. Source: 1344.n.40, page 65. Langu...
EditorialFanny Cerrito, originally Francesca Cerrito (1817– 1909) Italian ballet dancer and choreographer. . Beauties of the Opera and Ballet. London, 1845. Performing the part of the Ondine, or the Naiad. Portrait. Black and white. Source: 1344.n.40, opposit...
EditorialScene from 'The Devil on two sticks', a ballet. Beauties of the Opera and Ballet. London, 1845. Black and white engraving / illustration. Source: 1344.n.40, page 49. Language: English.
EditorialScene from 'La Sylphide', a ballet. James, a Scottish farmer, dreams of the Sylph. . Beauties of the Opera and Ballet. London, 1845. Black and white engraving / illustration. Source: 1344.n.40, page 83. Language: English.
EditorialWilhelm Weimar, picnic box (Sagej), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left : in black ink: 1344, chest, box, box, picnic, mountains, mountains, waters, flower ornaments, birds, work ...
EditorialSimone Martini (h.1284-1344). Italian painter of the Sienese school. Saint Louis of Toulouse crowning Robert of Anjou, king of Naples, 1317. In the predella, scenes of the saint's life. Museum of Capodimonte. Naples. Italy.
EditorialFanny Cerrito, originally Francesca Cerrito (1817– 1909) Italian ballet dancer and choreographer. . Beauties of the Opera and Ballet. London, 1845. Performing the part of the Ondine, or the Naiad. Portrait. Black and white. Source: 1344.n.40, opposit...
EditorialSimone Martini (c._1284-1344). Italian painter. Sienese school. Madonna from the Annunciation Scene, 1340-1344. Right-hand wing of a folding diptych. Tempera on panel. The State Hermitage Museum. Saint Petersburg. Russia.
EditorialInvasion of Bulgaria by the Emperor Nicephorus I in 811, and his capture by the Bulgarians. Miniature, folio 145r, Chronicle of Constantine Manasses, 1344-1345. Vatican Apostolic Library.
EditorialJohn I, Count of La Marche, Jean de Bourbon, comte de Vendome 1344-1393. Handcoloured lithograph by Leopold Massard after a stained-glass window in the chapel of Vendome, Chartres Cathedral, in Roger de Gaignieres' portfolio V 33 from Le Bibliophile Ja...
EditorialSaint Ansanus, ca. 1326, Tempera on wood, gold ground, Overall 22 5/8 x 15 in. (57.5 x 38.1 cm); painted surface 22 1/2 x 14 1/2 in. (57.2 x 36.8 cm), Paintings, Simone Martini (Italian, Siena, active by 1315?died 1344 Avignon), This panel, together wi...
EditorialSaint Bartholomew, ca. 1317?19, Tempera on wood, gold ground, Overall, with arched top and engaged frame, 11 5/8 x 8 5/8 in. (29.5 x 21.9 cm); painted surface 10 3/8 x 7 3/4 in. (26.4 x 19.7 cm), Paintings, Workshop of Simone Martini (Italian, Siena, a...