EditorialIan Bostridge’s latest book and album emerged from a time when the pandemic forced him to question what exactly he does when he sings. (Neil Webb/The New York Times)
EditorialIan Bostridge’s latest book and album emerged from a time when the pandemic forced him to question what exactly he does when he sings. (Neil Webb/The New York Times)
EditorialIan Bostridge’s latest book and album emerged from a time when the pandemic forced him to question what exactly he does when he sings. (Neil Webb/The New York Times)
EditorialTenor Brenton Ryan, as Monostatos, in a rehearsal for Simon McBurney’s production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)
EditorialTenor Brenton Ryan, as Monostatos, in a rehearsal for Simon McBurney’s production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)
EditorialTenor Brenton Ryan, as Monostatos, in a rehearsal for Simon McBurney’s production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)
EditorialTenor Brenton Ryan, as Monostatos, in a rehearsal for Simon McBurney’s production of “Die Zauberfl?te,” at the Metropolitan Opera in New York, May 11, 2023. (Lila Barth/The New York Times)
EditorialThe tenor Piotr Beczala in his dressing room at the Metropolitan Opera House in New York, where he is appearing in Wagner’s “Lohengrin,” on Tuesday, March 14, 2023. (Vincent Tullo/The New York Times)
EditorialThe tenor Piotr Beczala in his dressing room at the Metropolitan Opera House in New York, where he is appearing in Wagner’s “Lohengrin,” on Tuesday, March 14, 2023. (Vincent Tullo/The New York Times)
EditorialThe tenor Piotr Beczala in his dressing room at the Metropolitan Opera House in New York, where he is appearing in Wagner’s “Lohengrin,” on Tuesday, March 14, 2023. (Vincent Tullo/The New York Times)
EditorialThe tenor Piotr Beczala in his dressing room at the Metropolitan Opera House in New York, where he is appearing in Wagner’s “Lohengrin,” on Tuesday, March 14, 2023. (Vincent Tullo/The New York Times)
EditorialAttack on the Fortress of Orange and the Church of God, 1672, Attack on the Fortress of Orange and the Church of God. Comprehensive allegorical representation of the events in the year 1672. The tenor of the print is Orangistic, against the Arminians a...
EditorialHip?lito L?zaro Higueras (Barcelona, 13 de septiembre de 1887 ib?dem, 15 de mayo de 1974) fue un famoso tenor l?rico espa?ol. Colecci?n privada.
EditorialPaul Sorvino, center, as Tony in a rehearsal of the New York City Opera production of the musical "The Most Happy Fella" in New York, March 3, 2006. (Sara Krulwich/The New York Times)