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Editorial Autumn in Berlin, berlin, berlin, germany - 10 Oct 2018
- 2022-06-27
- 3
Editorial Bust of a Tahitian Woman. Paul Gauguin; French, 1848-1903. Date: 1894. Dimensions: 242 ? 200 mm (primary support); 353 ? 262 mm (secondary support). Watercolor monotype on ivory Japanese paper, discolored to tan, laid down on tan wove paper. Origin: Fr...
- 2022-04-24
- 1
Editorial eated Tahitian Woman (related to the painting Te faaturuma [Reverie]). Paul Gauguin; French, 1848-1903. Date: 1891-1893. Dimensions: 555 ? 480 mm. Charcoal on cream wove paper (discolored to tan). Origin: France.
- 2022-04-24
- 1
Editorial Cover page, from Cahier de six eaux-fortes, vues de Hollande. Johan Barthold Jongkind; Dutch, 1819-1891. Date: 1862. Dimensions: 117 x 180 mm (image/plate); 375 x 535 mm (sheet). Etching in brownish-black on gray-blue wove paper (discolored to a gray-g...
- 2022-04-24
- 1
Editorial Sketches of Various Animals and Head (recto), Sketches of a Head, Figure in Profile, Anatomical Details, and Animals (verso). Paul Gauguin; French, 1848-1903. Date: 1891-1893. Dimensions: 320 ? 217 mm. Graphite (recto); graphite, with pen and pale-yell...
- 2022-04-24
- 1
Editorial Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso). Paul Gauguin; French, 1848-1903. Date: 1891-1893. Dimensions: 225 ? 73 mm. Pen and brownish-black ink (originally dark...
- 2022-04-24
- 1
Editorial Madame Charles Gounod. Jean-Auguste-Dominique Ingres; French, 1780-1867. Date: 1859. Dimensions: 256 ? 202 mm. Graphite on ivory wove paper (discolored to cream). Origin: France.
- 2022-04-24
- 1
Editorial Charles Gounod. Jean-Auguste-Dominique Ingres; French, 1780-1867. Date: 1841. Dimensions: 299 ? 233 mm. Graphite on ivory wove paper, discolored to cream. Origin: France.
- 2022-04-24
- 1
Editorial Effect of the setting sun. Th?ophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1902. Dimensions: 205 ? 204 mm (image/plate); 306 ? 248 mm (sheet). Etching, drypoint and burnishing from a zinc plate on discolored ivory wove paper. O...
- 2022-04-24
- 1
Editorial Little Girl in a Garden. Kate Greenaway; English, 1846-1901. Date: 1884. Dimensions: 75 ? 60 mm. Graphite on ivory wove paper (discolored to cream). Origin: England.
- 2022-04-24
- 1
Editorial Fragment of Long Inscription. Paul Gauguin; French, 1848-1903. Date: 1890-1900. Dimensions: 225 ? 74 mm. Graphite on cream wove paper, discolored to tan. Origin: France.
- 2022-04-24
- 1
Editorial Two Little Girls in Fur-Trimmed Coats. Kate Greenaway; English, 1846-1901. Date: 1900. Dimensions: 214 ? 222 mm. Watercolor, with graphite, on cream wove paper (discolored to tan). Origin: England.
- 2022-04-24
- 2
Editorial Tail-Peice - The History of the Book. Will Hicock Low; American, 1853-1932. Date: 1883-1893. Dimensions: 226 x 359 mm. Charcoal, with black ink, heightened with touches of white gouache, on cream wood-pulp laminate board (discolored to tan). Origin: Un...
- 2022-04-24
- 2
Editorial Welcome Once Again. Kate Greenaway; English, 1846-1901. Date: 1884. Dimensions: 166 ? 255 mm. Graphite with watercolor on cream wove paper (discolored to tan). Origin: England.
- 2022-04-24
- 1
Editorial Two Little Girls with Bonnets. Kate Greenaway; English, 1846-1901. Date: 1883. Dimensions: 109 ? 154 mm. Pen and brown ink and watercolor, over traces of graphite, on cream wove paper (discolored to tan), perimeter mounted to cream wood-pulp laminate b...
- 2022-04-24
- 2
Editorial Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L'estampe originale. Paul Gauguin (French, 1848-1903); published by L'Estampe originale (French, 1893-1895). Date: 1894. Dimensions: 423 ? 555 mm. Lithograph in black ink on ivory...
- 2022-04-24
- 1
Editorial What Wreath for Lamia? What for Lycius? What for the Sage. Will Hicock Low; American, 1853-1932. Date: 1880-1893. Dimensions: 105 x 376 mm. Black, gray and white gouache on cream card (discolored to tan). Origin: United States.
- 2022-04-24
- 1
Editorial Sketches of Figures and Animals from Tahiti. Paul Gauguin; French, 1848-1903. Date: 1891-1893. Dimensions: 320 ? 217 mm. Graphite and blue gouache, with pen and pale yellow ink (originally purple) and watercolor (recto); graphite, over pen and pale yel...
- 2022-04-24
- 1
Editorial Sketch of Maori Woman and Child. Paul Gauguin; French, 1848-1903. Date: 1891-1893. Dimensions: 163 ? 43 mm. Pen and brown ink (originally purple), with touches of graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketch...
- 2022-04-24
- 1
Editorial Sketches of Crouching and Standing Figures, a Pig, and a Hut at Water's Edge. Paul Gauguin; French, 1848-1903. Date: 1891. Dimensions: 108 ? 167 mm. Graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook). Origin: Fra...
- 2022-04-24
- 1
Editorial Eve, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 287 ? 215 mm (image); 309 ? 228 mm (sheet). Wood-block print in black ink on thin ivory Japanese paper, laid down on ivory wove paper (discolor...
- 2022-04-24
- 1
Editorial Sketches of Standing Figures and Animals. Paul Gauguin; French, 1848-1903. Date: 1891. Dimensions: 108 ? 167 mm. Graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook). Origin: France.
- 2022-04-24
- 2
Editorial Man with an Ax. Paul Gauguin; French, 1848-1903. Date: 1891-1893. Dimensions: 317 ? 228 mm (image/primary/secondary support). Thinned gouache, with pen and black ink, over pen and brown ink, on cream wove paper (discolored to tan), laid down on cream J...
- 2022-04-24
- 1
Editorial Breton Bather. Paul Gauguin; French, 1848-1903. Date: 1886-1887. Dimensions: 585 ? 350 mm. Charcoal and pastel, with touches of brush and brown ink, on ivory laid paper (discolored to tan), partially outlined in graphite and squared in black fabricated...
- 2022-04-24
- 1
Editorial Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?]). Paul Gauguin; French, 1848-1903. Date: 1891-1893. Dimensions: 555 ? 480 mm. Pastel over charcoal, selectively stumped, on cream wove paper (discolored to tan), ...
- 2022-04-24
- 1
Editorial Standing Woman. Constantin Guys; French, 1802-1892. Date: 1870-1875. Dimensions: 352 ? 255 mm. Pen and brown ink, and brush and black, gray and brown wash, on cream wove paper (discolored to tan). Origin: France.
- 2022-04-24
- 1
Editorial Guess My Name. Sir David Wilkie; Scottish, 1785-1841. Date: 1816-1826. Dimensions: 108 x 100 mm (primary support); 120 x 116 mm (secondary support); 267 x 203 mm (tertiary support). Brush and gray wash on off-white wove paper, discolored to beige, laid...
- 2022-04-24
- 1
Editorial William John, Earl of Ancrum. John Dixon (Irish, c. 1740-1811); after Sawrey Gilpin (English, 1733-1807) and Richard Cosway (English, 1742-1821); published by John Boydell (English, 1719-1804) and John Dixon. Date: 1773. Dimensions: 513 x 606 mm (image...
- 2022-04-24
- 1
Editorial The Departure of Marcus Attilius Regulus for Carthage. Jacques Louis David; French, 1748-1825. Date: 1775-1786. Dimensions: 315 ? 414 mm. Pen and black ink, with brush and gray wash, and black chalk, heightened with lead white (discolored), on blue lai...
- 2022-04-24
- 1
Editorial Picaresque Group with a Monkey and a Magpie. Alessandro Magnasco; Italian, 1667-1749. Date: 1720-1725. Dimensions: 478 x 372 mm. Brush and brown gouache and brush and brown wash, with touches of red and brown chalk, heightened with white chalk, over bl...
- 2022-04-24
- 1
Editorial Ballad Singer at a Shrine of the Virgin. Alessandro Magnasco; Italian, 1667-1749. Date: 1720-1725. Dimensions: 466 x 370 mm. Brush and brown gouache and brush and brown wash, with traces of brown chalk, heightened with white chalk, over black chalk, on...
- 2022-04-24
- 1
Editorial May the Hand of Providence Strew Flowers on the Path of Your Life (valentine), 1795, Carolina Amalia Schutler, German, 18th century, Germany, Collaged elements and pen and brown ink on cream laid paper (discolored), 142 ? 187 mm.
- 2022-01-18
- 1
Editorial The Adoration of the Einsiedeln Madonna, n.d., German or Swiss, 18th century, Germany, Woodcut in black hand colored with elements of fabric, copper alloy metal foil, and block printed distemper colorants on paper, attached to the verso and visible thr...
- 2022-01-18
- 1
Editorial Martyrdom of a Saint Interrupted by Justice, n.d., Pupil of Charles Joseph Natoire (French, 1700-1777), or possibly Unknown Venetian Artist (Italian, 18th century), Italy, Pen and brown ink, with brush and brown wash, heightened with lead white (partly...
- 2022-01-18
- 1
Editorial Fragment, Medium: silk, linen, metallic thread Technique: cut supplementary warp pile (velvet), Large-scale floral symmetrical design with undulating flowering branches and leaves clasped by stylized urn. In dark blue-green ridged pile on bright yellow...
- 2022-01-18
- 1
Editorial Anonymous, first quarter of the 18th century, A: 221 ? 127 cm measured with suspension rings; 218 ? 127cm measured without suspension rings, W: 195 ? 113.5cm, C: 175 ? 76cm, D: 124 ? 164cm laid out flat with roundness; Measured 18 x 295cm length, E: ap...
- 2022-01-18
- 1
Editorial Tonga's Kingdom of Volcanoes
- 2022-01-17
- 1
Editorial Brook in Forest, n.d., Unknown artist, possibly 19th century, Unknown Place, Pen and black ink on ivory wove paper (discolored to buff), laid down on tan wood-pulp board, 140 ? 227 mm.
- 2021-10-09
- 1
Editorial Little Girl with Checkered Purse in Profile to the Left, n.d., Unknown Artist, American or English, 19th century, United States, Graphite, pen and black ink, and watercolor, on cream wove paper (discolored), 121 x 75 mm.
- 2021-10-09
- 1
Editorial Portrait of Whistler. Carlo Pellegrini; Italian, worked in England, 1839-1889. Date: 1881. Dimensions: 302 x 153 mm (image/plate); 317 x 168 mm (sheet). Drypoint with plate tone in black on ivory wove paper (discolored to cream). Origin: Italy.
- 2021-10-09
- 1
Editorial Whistler with a Hat. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 225 x 151 mm (plate); 306 x 207 mm (sheet). Drypoint in black ink on cream laid paper discolored to buff. Origin: United States.
- 2021-10-09
- 1
Editorial Arthur Haden. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 226 x 151 mm (plate); 232 x 156 mm (sheet). Drypoint in black ink on cream Japanese paper discolored to tan. Origin: United States.
- 2021-10-09
- 1
Editorial Ex-Libris pour "L'Ensorcel?e" (Bookplate for "L'Ensorcel?e"). Dated: c. 1883/1885. Medium: etching, drypoint, aquatint, and roulette in black on moderately thick cream (discolored to light brown) laid paper.
- 2021-10-09
- 1
Editorial Pine Beetle Forest Infestation Update in Walden, Colorado, United States - 07 Apr 2009
- 2021-08-18
- 3
Editorial Whistler with a Hat. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 225 x 151 mm (plate); 306 x 207 mm (sheet). Drypoint in black ink on cream laid paper discolored to buff. Origin: United States.
- 2021-06-04
- 1
Editorial SHOES.
- 2021-04-07
- 1
Editorial Still-Life with Lunch I. Pablo Picasso (Spanish, 1881-1973); printed by Hidalgo Arn?ra (French or Spanish, 20th century). Date: 1962. Dimensions: 641 x 530 mm (image/block); 755 x 624 mm (sheet). Linocut in reddish brown, gray, and black on ivory wove ...
- 2021-04-07
- 1
Editorial Whistler with a Hat. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 225 x 151 mm (plate); 306 x 207 mm (sheet). Drypoint in black ink on cream laid paper discolored to buff. Origin: United States.
- 2021-02-22
- 1
Editorial Whistler with a Hat. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 225 x 151 mm (plate); 306 x 207 mm (sheet). Drypoint in black ink on cream laid paper discolored to buff. Origin: United States.
- 2021-02-22
- 1
Editorial Sepulchral monuments, Giuseppe Barberi, Italian, 17461809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At left and top right are two sketches for the monument for King Louis XVI of France. The sarcophagus stands upon a high p...
- 2021-02-22
- 1
Editorial Fragment, Medium: silk, linen, metallic thread Technique: cut supplementary warp pile (velvet), Large-scale floral symmetrical design with undulating flowering branches and leaves clasped by stylized urn. In dark blue-green ridged pile on bright yellow...
- 2021-02-22
- 1
Editorial Bandbox lid fragment, Block-printed paper on pasteboard support, A group of three dogs is following on the heels of a deer. The three dogs and the deer are each on there own landscape plateau. The background is printed with pairs of dots, possibly simu...
- 2021-02-22
- 1
Editorial Sidewall - fragment, Machine-printed, flocked, a) Top layer; on discolored white background, pale gray flat leaf patterns with scalloped edges, white background exposed to represent veining. Reserved white areas within gray leaves form smaller leaf pat...
- 2021-02-22
- 1
Editorial Bridge over the River Combeima at Ibaque, Colombia, Frederic Edwin Church, American, 18261900, Graphite, brush and white and oxidized gouache on cream-colored paper, discolored to dark brown on verso., Horizontal view of the pinnacled bridge in the cen...
- 2021-02-22
- 1
Editorial Imaginary River Landscape, Frederic Edwin Church, American, 18261900, Pen and dark brown ink Support: Discolored off-white laid paper, USA, ca. 187073, landscapes, drawing, drawing.
- 2021-02-21
- 1
Editorial Study for 'The Wreck', Winslow Homer, American, 18361910, Graphite, with pen and black ink and brown ink on green buff paper. discolored to brown, Horizontal view of four coastguardsmen pulling, and one pushing a lifeboat along wet sand. Lifeboat resti...
- 2021-02-21
- 1
Editorial Ticket to Westminster Abbey, Print made by Francesco Bartolozzi RA, 17281815, Italian, active in Britain (176499), after Robert Smirke, 17521845, British, before 1791, Etching and line engraving on thick, moderately textured, cream (discolored to beige...
- 2021-02-21
- 1
Editorial A Man Saved Against his Will, plate seven from Les Canotiers Parisiens. Honor?-Victorin Daumier; French, 1808-1879. Date: 1843. Dimensions: 252 ? 190 mm (image); 352 ? 266 mm (sheet). Lithograph in black, with additions in pen and brown ink (discolored...
- 2021-02-21
- 1
Editorial Study for "The Death of the Earl of Chatham". Dated: 1779. Dimensions: sheet: 30.7 ? 49.5 cm (12 1/16 ? 19 1/2 in.). Medium: graphite and white chalk on discolored blue paper.
- 2021-02-21
- 1
Editorial Anonymous, first quarter of the 18th century, A: 221 ? 127 cm measured with suspension rings; 218 ? 127cm measured without suspension rings, W: 195 ? 113.5cm, C: 175 ? 76cm, D: 124 ? 164cm laid out flat with roundness; Measured 18 x 295cm length, E: ap...
- 2021-02-21
- 1
Editorial D'Arg...., plate 188 from C?l?brit?s de la Caricature. Honor? Victorin Daumier; French, 1808-1879. Date: 1832. Dimensions: 356 ? 264 mm. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Origin: France.
- 2021-02-21
- 1
Editorial Dup..., plate 171 from C?l?brit?s de la Caricature. Honor? Victorin Daumier; French, 1808-1879. Date: 1832. Dimensions: 332 ? 258 mm. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Origin: France.
- 2021-02-21
- 1
Editorial A small earthenware bottle with a flat bottom. The wall runs concave upwards and merges into an elongated oval body with a high concave neck. A vertical handle is attached to the shoulder and neck. The edge is outwards and is immature. Manufactured on ...
- 2021-02-21
- 1
Editorial scale, painted, Atoem, Vignette: Black ink, single figure or Atum standing, facing right, left hand holding forward, right hand down holding ankh. Crowned with double crown, divine beard. Clothed in plain collar, divine corslet, short kilt wrapped left...
- 2021-02-20
- 1
Editorial Vz: around a striped band, the bull has a short forward horn, a little rigid anatomical detail and a characteristic triangle in the body, the body is large and the legs are reasonably short., Gem, intaglio, chalcedony, Color: gray-white discolored opaq...
- 2021-02-20
- 1
Editorial The base is flat and round. The jar is spherical. There are two small pierced ears when the neck is attached to the shoulders. The neck is quite long and ends in a slightly protruding slightly damaged edge. The color is light red and is here and there ...
- 2021-02-20
- 1
Editorial hosehead, object in the form of an elongated, flattened cylindrical 'body' with animal head, this type is usually classified in the group of the snake heads. From a blue colored faience it is discolored to dark blue with a red on the right.
- 2021-02-20
- 1
Editorial Ex-Libris pour "L'Ensorcel?e" (Bookplate for "L'Ensorcel?e"). Dated: c. 1883/1885. Medium: etching, drypoint, aquatint, and roulette in black on moderately thick cream (discolored to light brown) laid paper.
- 2021-02-20
- 1
Editorial An earthenware jug with a flat bottom. The wall is slanted outwards and turns into a high and round belly. The wall is inclined inward at the shoulders. The neck is narrow and concave and ends in an outward, pointed edge. On the belly two vertical ridg...
- 2021-02-20
- 1
Editorial A bowl with a small flat bottom. The wall is slanted outwards and is bent convex upwards by means of a round bend under the edge. The edge is slightly curved outwards and finished undiluted and rounded. On the slightly grooved edge is a horzontaal hand...
- 2021-02-20
- 2
Editorial The bowl has a round base made of a roll of clay. From the foot, the walls have a convex shape. Where the walls merge into an edge, they first fold a bit inwards, the top of the edge then folds out slightly and has a rounded end. Two fragments are miss...
- 2021-02-20
- 1
Editorial An earthenware bowl. The soil is missing, but probably consisted of a high and hollow foot. The wall is slanted outwards and is bent upwards by a round bend. Above the bend there is a thickening in the wall. The edge is thickened and angled. Manufactur...
- 2021-02-20
- 2
Editorial An earthenware bowl, semi-circular in shape. The bottom runs downwards sharply. The edge is thickened on the inside and rounded. Manufactured on the wheel. The clay is orange-red in color, has a fine to medium texture and is agglutinated with lime, coa...
- 2021-02-20
- 1
Editorial A weaving weight of unbaked (?) Clay. Flattened round in shape and pierced in the middle around the length (diameter bore: 1.5 cm). Made by hand. The clay is beige in color, has a medium and soft texture and is mellowed with fine sand, lime, small ston...
- 2021-02-20
- 1
Editorial Painted bowl with a convex bottom that turns into the wall by means of a round bend. The wall rises steeply and is convex. The edge is thickened on the inside and outside. The top of the edge is flattened inwardly. Shown are two crossed lines with fork...
- 2021-02-20
- 1
Editorial scarab, iw sign, neferteken, Re, Amontrigram, completely cool. Back dark discolored., Seal, scarab, faience, 1.3 cm, Egypt.
- 2021-02-20
- 1
Editorial Large weaving weight of baked clay. Irregularly conical shape. The top is round. A horizontal round bore is provided below the top (diameter: 1.8-1.9 cm). The underside is flattened around. Made by hand. The clay is beige and light orange in color, has...
- 2021-02-20
- 1
Editorial In the 1st century AD. is also the first time discolored glass. Due to the presence of iron oxides in sand, 'ordinary' glass always turns green. The color of the glass can be changed by adding different metals. Manganese and antimony have the property ...
- 2021-02-20
- 1
Editorial Loose earthenware fragments belonging to a so-called holemouth jar. The shoulders are bent inwards. The edge is inwards and is flat finished. On the inside of the edge a small ledge. Made by hand. The clay is gray in color, has a hard texture and is ma...
- 2021-02-20
- 1
Editorial An earthenware oil lamp, broken into 2 pieces. The bottom is convex and passes through a round bend into a low wall that is slanted outwards. The edge is bent outwards and flattened at the outside. On one side the edge and wall are pinched to a spout. ...
- 2021-02-20
- 1
Editorial A round stone. The top and bottom sides are flattened and each contain a round, pointed hole with concentric traces and cracks that partly run through the wall. One crack continues into the other hole. Possibly the two holes were originally intended to...
- 2021-02-20
- 1
Editorial Ring, figure, Third Intermediate Period, Dynasty 2124, ca. 1070712 B.C., From Egypt, Faience, discolored, Diam. 3 cm (1 3/16 in.); Bezel: L. 4.5 cm (1 3/4 in.).
- 2021-02-19
- 2
Editorial Firescreen panel.
- 2021-02-19
- 2
Editorial SHOES.
- 2021-02-19
- 1
Editorial Alphonse de Neuville, French, 18351885, At Rest, c. 1874, Pen and brown ink and brown and gray wash over faint pencil sketch on discolored paperboard., Overall: 14 x 10 3/8 in. (35.5 x 26.3 cm).
- 2021-02-19
- 1
Editorial Emile van Marcke de Lummen, French, 18271890, Pastures by the Sea, 183790, Black and white chalk on light blue paper discolored to green, 7 3/8 x 11 13/16 in. (18.7 x 30 cm).
- 2021-02-19
- 1
Editorial Frederic Leighton 1st Baron Leighton of Stretton, British, 18301896, Portrait of Miss Dorothy Dene, 1895, White and black chalk on light blue paper discolored to green, Overall: 11 7/16 x 8 3/4 in. (29 x 22.3 cm).
- 2021-02-19
- 1
Editorial A discolored mural of Nicolas Maduro in the working-class Petare neighborhood of Caracas, Venezuela, Feb. 1, 2021. (Adriana Loureiro Fernandez/The New York Times)
- 2021-02-15
- 1
Editorial Iron concretions from the wreck of the East-Indian sailor 't Vliegend Hart, who died in 1735. The seven fragments are orange-brown, purplishly discolored. The shape of the concretions cannot be determined with certainty which object was the source of t...
- 2020-12-04
- 1
Editorial Landscape with House in Distance, n.d., Possibly Ferdinand Kobell, German, 1740-1799, Germany, Pen and brown ink with brush and brown wash, heightened with lead white (discolored), on ivory laid paper, laid down on card, 103 x 145 mm.
- 2020-12-04
- 1
Editorial Standing Girl in Profile to Left with Whip and Toy Sleigh, n.d., Unknown Artist, American or English, 19th century, United States, Graphite, pen and black ink, and watercolor, on cream wove paper (discolored), 121 x 75 mm.
- 2020-12-04
- 1
Editorial Half-Length Recumbent Male Nude Seen from the Back, c. 1590, Pietro Faccini, Italian, c. 1562-1602, Italy, Charcoal, with stumping, touches of oil paint, and traces of lead white (discolored), on tan laid paper, 355 x 232 mm.
- 2020-12-04
- 1
Editorial View of Lake Nemi, c. 1650. Italy, 17th century. Pen and brown ink with brush and blue wash (discolored to green in places) (trace of red chalk unrelated to composition); sheet: 16.7 x 26 cm (6 9/16 x 10 1/4 in.).
- 2020-12-04
- 1
Editorial View of Lake Nemi (recto) Small Group of Roman Ruins (verso), c. 1650. Italy, 17th century. Pen and brown ink with brush and blue wash (discolored to green in places) (trace of red chalk unrelated to composition); sheet: 16.7 x 26 cm (6 9/16 x 10 1/4 i...
- 2020-12-04
- 1
Editorial John Singleton Copley, Study for "The Death of the Earl of Chatham", American, 1738 - 1815, 1779, graphite and white chalk on discolored blue paper.
- 2020-12-01
- 1
Editorial Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?]). Paul Gauguin; French, 1848-1903. Date: 1891-1893. Dimensions: 555 ? 480 mm. Pastel over charcoal, selectively stumped, on cream wove paper (discolored to tan), ...
- 2020-10-13
- 1
Editorial *PREMIUM-EXCLUSIVE* A nearly unrecognizable Matthew Perry is spotted after making a quick trip to a local pharmacy!
- 2020-06-09
- 43
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