EditorialArinze Kene, whose one-man show “Misty” mixes spoken word, music, surreal comedy and performance to tell a tale of gentrification, racial tension and male identity, at Weston Studio in London, Feb. 10, 2023. (Tami Aftab/The New York Times)
EditorialPreview of 20th/21st Century & Surreal Evening sales at Christie‘s in London, UK, on 20 February 2023. (Image EMBARGOED until 09.15am GMT on Tuesday 21 February 2023)
EditorialPing Chong, the pioneering artistic director who retired recently from his theater company, at his farewell party at the Chelsea Factory in New York, Jan. 25, 2023. (Jeenah Moon/The New York Times)
EditorialDrawing for the poem "Like Night". A dragon being produced by the smoke from factories, behind a German soldier. A surreal scene. Simplicissimus. Munich, 1896 - 1898. Source: Simplicissimus 27/06/1896 volume 1. Page 5 issue 13.
EditorialDrawing for the poem "Like Night". A dragon being produced by the smoke from factories, behind a German soldier. A surreal scene. Simplicissimus. Munich, 1896 - 1898. Source: Simplicissimus 27/06/1896 volume 1. Page 5 issue 13.
EditorialMan spearing a boar, 14th century, men with dogs, lances and hunting horn swine hunting in a surreal forest, 9th century, and men with shovels and dog unearthing a fox, 14th century. Handcoloured lithograph by Joseph Strutt from his own Sports and Past...
EditorialAngels of Doom, 1688. In a surreal and fantastical image, sinister-looking angels and other beasts confront each other within a niche. From the epic poem "Paradise Lost" by John Milton (1608-1674).
Editorial"La Linea Verticale" A dramedy that tells, in an ironic, moving and sometimes surreal tone, the daily life of the oncological urology department of an Italian hospital through the patients' point of view.