EditorialWho-o-p!, Print made by Robert Polhill Bevan, 18651925, British, 1898-1899, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm), Plate: 11 3/16 x 14 inches (28.4 x 35.5 cm), and Image: 9 13/16 x 13 1...
EditorialView of Queen Square, Robert Pollard, 17551838, British, and Robert Dodd, 17481816, British, after Edward Dayes, 17631804, British, 1789, Etching and aquatint on moderately thick, moderately textured, cream, laid paper, Sheet: 19 1/2 ? 24 7/16 inches (...
EditorialGeorge I at Newmarket, 4 or 5 October, 1717, John Wootton, 16821764, British, ca. 1717, Oil on canvas, Support (PTG): 50 1/8 x 67 1/16 inches (127.3 x 170.3 cm), animals, autumn, breeches, carriage, chimney, church, coach, dogs (animals), fields, gathe...
EditorialFound!, Print made by Robert Polhill Bevan, 18651925, British, 1898-1899, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm) and Image: 9 13/16 x 13 3/16 inches (25 x 33.5 cm), animal art, branches, br...
EditorialThe Young Squire, Print made by Alfred W. Cooper, active 18501901, British, after Alfred W. Cooper, active 18501901, British, undated, Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 6 15/16 x 7 13/16 ...
EditorialQueen Square, London, Edward Dayes, 17631804, British, 1786, Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper, Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm), Contemporary drawn border: 17 1/8 x 23 7/16 inches (43.5 x...
EditorialTaming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will, Print made by James Gillray, 17571815, British, after Mrs. S Berwin, 1791, Etching with coloring on medium, slightly textured, cream laid paper, Mount: 9 x 15 3/4 in...
EditorialLamprey, with His Owner Sir William Morgan, at Newmarket, John Wootton, 16821764, British, 1723, Oil on canvas, Support (PTG): 41 x 49 1/2 inches (104.1 x 125.7 cm), breeches (trousers), coat, decoration, fields (agricultural land), hats, horses (anima...
EditorialPreparing for the Hunt, John Wootton, 16821764, British, ca. 1745, Oil on canvas, Support (PTG): 47 x 49 inches (119.4 x 124.5 cm), architecture, art, birds, breeches (trousers), conversation piece, costume, country house, dogs (animals), dwelling, equ...
EditorialJockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white breeches; the horse, sponged black with purple saddle cloth (reins missing), unknown artist, (Scottish Pearlware), 1830, Scottish pearlware figure, Sheet: 11in. (27.9cm), anim...
EditorialThe Flying Pack, Print made by Robert Polhill Bevan, 18651925, British, 1898-1899, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm), Plate: 11 1/8 x 14 inches (28.3 x 35.5 cm), and Image: 9 13/16...
EditorialThe Meet, Print made by Robert Polhill Bevan, 18651925, British, 1898-1899, Lithograph on moderately thick, smooth, cream wove paper, Sheet: 15 x 19 5/16 inches (38.1 x 49 cm) and Image: 9 13/16 x 13 1/8 inches (25 x 33.4 cm), animal art, branches, bre...
EditorialGrouse Shooting, Print made by Matthew Dubourg, active 17861838, British, after James Pollard, 17921867, British, Published by Jonathan Watson, 18201847, British, 1822, Aquatint and etching with hand coloring on moderately thick, slightly textured, bei...
EditorialThe Duke of Rutland's Bonny Black, John Wootton, 16821764, British, ca. 1715, Oil on canvas, Support (PTG): 30 x 48 1/2 inches (76.2 x 123.2 cm), animal art, black, breeches, brick, building, coat, duke, hats, hills, horses (animals), jockeys, leading,...
EditorialLord Portmore Watching Racehorses at Exercise on Newmarket Heath, John Wootton, 16821764, British, ca. 1735, Oil on canvas, Support (PTG): 26 5/8 x 49 inches (67.6 x 124.5 cm), breeches (trousers), coats, equestrians, farmland, fence, fields (agricultu...
EditorialMay Day, Print made by Rowney & Forster, active 18201822, after John Augustus Atkinson, 17751831, British, after 1821, Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper, Sheet: 8 5/8 x 12 9/16 inches (21.9 x 31.9 cm...
EditorialHuntsman in hunting pink (scarlet) jacket, breeches and boots holding a brass hunting horn. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
EditorialStable boy wearing two-coloured Burgundian breeches holds King Charles VI's horse. Detail from the altar " Goldenes Roessl" (Golden Horse), see 15-01-04 / 49. Limoges enamel and gold (1404) Height: 62 cm.
EditorialCeramic Jockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white breeches; the horse, sponged black with purple saddle cloth (reins missing),.
EditorialSixteen-string Jack's return from Tyburn.' John "Sixteen String Jack" Rann (1750 – 30 November 1774) was an English criminal and highwayman. He was a prominent and colourful local figure renowned for his wit and charm, he would later come to be know...
EditorialGames at Vauxhall: Playing at Cricket, Print made by Guillaume Philippe Benoist, 1725ca. 1770, French, after Francis Hayman, 1707/81776, British, Published by John Bowles, 17011779, British, Published by Carington Bowles, 17241793, British, ca. 1743, E...
EditorialThe Three Magi. Byzantine mosaic. Ca. 550. Detail. Restored in 18th century. Depicted in Persian clothing with breeches, capes, and Phrygian caps. Basilica of Sant' Apollinare Nuovo. Ravenna. Italy.
EditorialCostumes of the Dutch, 18th century. Men in wide breeches, women in flattened hairstyles, skating on a frozen river, and riding boats and carriages with sails on the ice. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's C...
EditorialFashionable Parisians playing a game of chance called loto or lotto, 1798. Incroyables in high cravats, gilets, redingotes, wigs, breeches and boots. Engraving from Paul Lacroix's "Directoire, Consulat et Empire," Paris, 1884.
EditorialMale Monkey, Straddling Frame in Prayer, Brush and gouache over graphite on thin board, A singerie, a work from the visual arts genre characterized by depictions of monkeys imitating human behavior, often fashionably attired. A male monkey is depicted ...
EditorialFragments, Medium: silk Technique: uncut voided supplementary warp pile (velvet) with supplementary weft, Two coat or waistcoat pocket flaps (components b/c) are lined with ivory silk plain twill. Left top waistband of breeches (component a) are lined ...
EditorialPossible Trade Card for Clothier, Engraving, trace of pen and brown ink, Octagonal sheet that has been cut down on all sides so that it has long horizontal and vertical edges, with very short corners. Depicted is a right-handed glove, palm up, placed h...
EditorialA View of Part of the Royal Gardens at Naples Towards the Sea, Print made by unknown artist, (de Bois), Published by John Bowles, 17011779, British, undated, Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporar...
EditorialConversation on a Country Road, Richard Westall, 17651836, British, 1799, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper mounted moderately thick, smooth, cream wove paper, Sheet: 7 1/8 x 9 1/8 inches (18....
EditorialVirtuous Love, Print made by Francesco Bartolozzi RA, 17281815, Italian, active in Britain (176499), after William Hamilton, 17511801, British, Published by Peltro W. Tomkins, 17601840, British, 1793, Stipple engraving and etching on medium, smooth, cr...
EditorialAs You Like It: Act II, Scene VII: The Seven Ages Man (Third Age), Robert Thew, 17581802, British, after Robert Smirke, 17521845, British, Published by Boydell Shakespeare Gallery, 17201804, British, 1803, Engraving on medium, slightly textured, cream ...