EditorialThe director Felicia Curry, left, with writer Mo Willems during a rehearsal for “Don’t Let the Pigeon Sing Up Late!,” a short new opera created with the composer Carlos Simon at the Kennedy Center in Washington, April 20, 2023. (Lexey Swall/The New York Times)
EditorialThe director Felicia Curry, left, with writer Mo Willems during a rehearsal for “Don’t Let the Pigeon Sing Up Late!,” a short new opera created with the composer Carlos Simon at the Kennedy Center in Washington, April 20, 2023. (Lexey Swall/The New York Times)
EditorialThe director Felicia Curry, left, with writer Mo Willems during a rehearsal for “Don’t Let the Pigeon Sing Up Late!,” a short new opera created with the composer Carlos Simon at the Kennedy Center in Washington, April 20, 2023. (Lexey Swall/The New York Times)
EditorialThe director Felicia Curry, left, with writer Mo Willems during a rehearsal for “Don’t Let the Pigeon Sing Up Late!,” a short new opera created with the composer Carlos Simon at the Kennedy Center in Washington, April 20, 2023. (Lexey Swall/The New York Times)
EditorialThe director Felicia Curry, left, with writer Mo Willems during a rehearsal for “Don’t Let the Pigeon Sing Up Late!,” a short new opera created with the composer Carlos Simon at the Kennedy Center in Washington, April 20, 2023. (Lexey Swall/The New York Times)
EditorialFantastic Mountainous Landscape with a Starry Sky. Dimensions: sheet: 21.4 x 26 cm (8 7/16 x 10 1/4 in.). Medium: watercolor and gouache on gray-blue wove paper.
EditorialSpain. Castile an Leon. Briviesca. Monastery of Santa Clara.15th and 16th century. Built by Juan Gil de Hontanon (1480-1526). Starry dome. Flamboyant.
EditorialFantastic Mountainous Landscape with a Starry Sky. Dimensions: sheet: 21.4 x 26 cm (8 7/16 x 10 1/4 in.). Medium: watercolor and gouache on gray-blue wove paper.
EditorialMaria Friedman, the director of the new, hotly anticipated revival of “Merrily We Roll Along,” at the New York Theater Workshop in Manhattan on Nov. 23, 2022. (Vincent Tullo/The New York Times)
EditorialSutton Foster, left, as Marian Paroo and Hugh Jackman as Professor Harold Hill in the musical “The Music Man,” at the Winter Garden Theater in New York, Feb. 1, 2022. (Sara Krulwich/The New York Times)
EditorialHugh Jackman, center, as Harold Hill in the Broadway revival of “The Music Man” at the Winter Garden Theater in New York, Feb. 1, 2022. (Sara Krulwich/The New York Times)
EditorialKate Navin, center, the head of Audible Theater, confers with Erik Jensen, one of the writers of “Coal Country,” as that play, already recorded for audio, rehearsed for an in-person production at the Cherry Lane Theater in New York, Feb. 8, 2022. (Amir Hamja/The New York Times)