EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialSgah’gahsowáh, the artist behind the one-man band, Blackbraid, at a performance in New York, Feb. 25, 2023. (Hiroko Masuike/The New York Times)
EditorialVal Bertoia, the son of the artist Harry Bertoia, plays one of his father’s sounding sculptures in Bally, Pa., Jan. 25, 2023. (Aaron Richter/The New York Times)
EditorialCast-iron pulpit from the Dutch Reformed Church in Voorschoten, Green-painted, cast-iron pulpit in neo-gothic style on a hexagonal column. Stairway to the equally hexagonal pulpit with desk under hexagonal sounding board. The column, the stair posts, t...
EditorialTHE EASTERN QUESTION, AT NITSCH: 1. Bulgarians sounding Christmas; 2. An Officers' Regular Mess; 3. Mohammedan Women Selling Handkerchiefs in the Streets; 4. "Kim-dir-o?" (Turkish equivalent for "Who goes there?") The Last Outpost on the Deligrad Road;...
EditorialAltar of The Last Judgement: Christ-judge, archangel Michael weighing souls, angels sounding trumpets and carrying the implements of the Passion; Saint Mary and Saint John Baptist. Center panel of the polyptych. Wood (1434) See also 40-03-01 / 7-13, 40...
EditorialGrand Piano, ca. 1815?20, Vienna, Austria, Austrian, Wood, various materials, L. 223.4 cm (88 in.); W. 126.4 cm (49 3/4 in.); Diam. 32 cm (12 1/2 in.); H. 93.7 cm (37 in.); 3-octave span 47.7 cm (18 3/4 in.); Sounding L. (1) f4, 5.5 striking, .5 cm; (2...
EditorialGrand Piano, 1808, London, England, British, Wood and various materials, Case L. (perpendicular to keyboard): 227.3 cm (89-1/2 in.); Case W. (parellel to keyboard): 106.9 (42-1/8 in.); Case H. (including legs): 91 cm (35-7/8 in.): Souding L. of top str...