EditorialTriplicis uisus, dircti, reflexi & refracti, de quo optica disputat, argumenta, Woodcut, Archimedes of Syarkus sets fire to a ship with a mirror, frontispiece, Ibn al-Hai?am, Abu ?Ali al-?asan Ibn al-?asan al-Ba?ri; Witelo; Rinser, Friedrich, 1572, Ibn...
EditorialThe immortal Liu Hai Figure of the taoist Immortal Liu Hai with the three-legged toad and gold coin. The image represents Liu Hai, a Taoist Immortal, with his attribute the three-legged toad and a gold coin, he is dressed in an open robe and stands on ...
EditorialThor of Ting Hai, Chinese buildings, pl. 26, after p. 124, fol. 26r, Carl August Menzel: Die Kunstwerke von dem Alterthum bis in die Gegenwart [...] oder Wegweiser durch das ganze Gebiet der bildenden Kunst [...]. Bd. 1. Leipzig: J. A. Romberg's Verlag...
EditorialFigure of a seated Liu Hai with his toad, Image of unglazed porcelain on a flat pedestal. Seated image of Liu Hai, smiling with bare chest and belly, his path is on his left knee and he holds a pearl in his right hand. Marked on the underside with the ...
EditorialJohann Jakob Mettenleiter and Johann Elias Haid view prints at table, historical persons, collecting and exhibiting products of the fine arts, portrait, self-portrait or graphic artist, self-portrait painter, Johann Jakob Mettenleiter, Johann Elias Hai...
EditorialTitle page for 'Opticae thesaurus', Printer's mark of Episcopius, title page, Ibn al-Hai?am, Abu ?Ali al-?asan Ibn al-?asan al-Ba?ri; Witelo; Rinser, Friedrich, 1572, Ibn-al-Hai?am, al-?asan Ibn-al-?asan, Witelo, Friedrich Risner: Opticae thesaurus [.....
EditorialView on the banks of the River Peiho. Men and boys sitting on the banks of the Hai River, with fisherman in the foreground, temple on the left, and women and children watching outside a village in the background. Signed with initials at bottom right an...
EditorialView of the banks of the Pei ho River. A group of men tied up with a rope pull barges up the Hai River while walking along its bank, where groups of women and children sit watching under the trees. Signed with initials at bottom right and annotated in ...
EditorialView on the banks of the River Peiho. Figures sitting on the banks of the Hai River, with man pushing a barge in the foreground and three men beating a fourth with bamboo canes, watched by a crowd outside city-walls in the background. Signed with initi...
EditorialBroken bridge at San Sien wey. A crowd of spectators stand on top of a ruined bridge to watch the arrival of the Embassy, with more figures climbing to blocks of stone in the Hai River and to two sailing ships; cottages in the background. Signed with i...
EditorialTong chun hai wu - phrase conveying wishes for longevity. A Keepsake from the Cloud Gallery/Yuntai Xianrui. China, 1750. Source: Add. 22689, ff. 2-3.
EditorialTong chun hai wu - phrase conveying wishes for longevity. A Keepsake from the Cloud Gallery/Yuntai Xianrui. China, 1750. Source: Add. 22689, ff. 4-5.
EditorialView on the banks of the River Peiho. Men and boys sitting on the banks of the Hai River, with fisherman in the foreground, temple on the left, and women and children watching outside a village in the background. Signed with initials at bottom right an...
EditorialA Pagoda or temple. The Costume of China. Illustrated in forty-eight c. William Miller: London, 1805. A Pagoda near the city of Tin-hai, Nov.21, 1793. Image taken from The Costume of China. Illustrated in forty-eight coloured engravings. Originally p...
EditorialView of the banks of the Pei ho River. A group of men tied up with a rope pull barges up the Hai River while walking along its bank, where groups of women and children sit watching under the trees. Signed with initials at bottom right and annotated in ...
EditorialThe battalion of general Liu protects Taiwan from the world famous Heiqibin. . Liu jun men zhen shou Taiwan Heiqibing si hai wen ming. 1894. Source: 16126.d.4.(41).
EditorialView on the banks of the River Peiho. Figures sitting on the banks of the Hai River, with man pushing a barge in the foreground and three men beating a fourth with bamboo canes, watched by a crowd outside city-walls in the background. Signed with initi...
EditorialBroken bridge at San Sien wey. A crowd of spectators stand on top of a ruined bridge to watch the arrival of the Embassy, with more figures climbing to blocks of stone in the Hai River and to two sailing ships; cottages in the background. Signed with i...
EditorialSome days ago, General Liu's army recaptured Taiwan's customs post . Shu ri qian wen Liu jiang jun yi jiang Taiwan hai guang shou hui… (shi chuan). 1894. Source: 16126.d.4 (6). Language: Chinese.
EditorialTong chun hai wu - phrase conveying wishes for longevity. A Keepsake from the Cloud Gallery/Yuntai Xianrui. China, 1750. Source: Add. 22689, ff. 2-3.
EditorialTong chun hai wu - phrase conveying wishes for longevity. A Keepsake from the Cloud Gallery/Yuntai Xianrui. China, 1750. Source: Add. 22689, ff. 4-5.
EditorialPlate 15 from 'The Disasters of War' (Los Desastres de la Guerra): And there is no help (Y no hai remedio), 1810, Etching, drypoint, burin, and burnisher, Plate: 5 1/2 x 6 9/16 in. (14 x 16.7 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, ...
EditorialPlate 33 from 'The Disasters of War' (Los Desastres de La Guerra): 'What more can be done?' (Qu? hai que hacer mas?), 1810 (published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 6 1/8 ? 8 1/16 in. (15.5 ? 20.5 cm), Prints, Goya (Franci...
EditorialHead of a Female Figure, 4th?5th century, Pakistan or Afghanistan, Terracotta, H. 8 in. (20.3 cm), Sculpture, This depiction of a female lay follower was probably part of a multifigural composition contained in an image shrine. With her fashionable hai...
EditorialSnuff Bottle Depicting the Immortal Liu Hai, Qing dynasty (1644?1911), Qianlong period (1736?95), late 18th?early 19th century, China, Porcelain with overglaze enamel colors, coral stopper, H. 3 1/16 in. (7.8 cm), Snuff Bottles.
EditorialPoem on a Spring Pool, Ming dynasty (1368?1644), China, Hanging scroll; ink on paper, Overall with mounting: 108 3/4 x 28 in. (276.2 x 71.1 cm), Calligraphy, Unidentified Artist, After Hai Rui (Chinese, 1514?1587).
Editorial? ?????, Daoist Immortal Liu Hai, Qing dynasty (1644?1911), 18th?19th century, China, Smoky quartz, Overall: H. 5 3/4 in. (14.6 cm); W. 3 3/4 in. (9.5 cm); D. 3 3/4 in. (9.5 cm), Hardstone.
EditorialFrancisco de Goya (Spanish, 1746-1828). What More Can Be Done? (Qu? Hai Que Hacer Mas?), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.
EditorialFrancisco de Goya y Lucientes (Fuendetodos, 1746-Burdeos, 1828). Grabado. Serie "Los desastres de la guerra" (aguafuerte). Plancha 33?: Qu? hai (hay) que hacer m?s?. L?mina publicada por la Real Academia de Nobles Artes de San Fernando. Primera edici?n...
EditorialFrancisco de Goya y Lucientes (Fuendetodos, 1746-Burdeos, 1828). Grabado. Serie "Los desastres de la guerra" (aguafuerte). Plancha 15?: Y no hai (hay) remedio. L?mina publicada por la Real Academia de Nobles Artes de San Fernando. Primera edici?n. Madr...