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Editorial Saint Catherine Disputing and Two Donors.
- 2020-03-20
- 1
Editorial The Return From the Hunt.
- 2020-03-02
- 1
Editorial Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother. Dating: c. 1520 - c. 1535. Measurements: support: h 133.5 cm ? w 83.4 cm; d 7.5 cm.
- 2020-03-02
- 1
Editorial Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother. Dating: c. 1520 - c. 1535. Measurements: support: h 133.5 cm ? w 83.4 cm; d 7.5 cm.
- 2020-01-15
- 1
Editorial Dispute the wind to the enemy, Battle Orders, Pl. 33, Ozanne: Marine militaire ou recueil des diff?rens vaisseaux qui servent ? la guerre: suivis des manoeuvres qui ont le plus de raport au combat ainsi qu'? l'ataque et la d?ffese des ports. Paris: che...
- 2020-01-15
- 1
Editorial Plain Scripture proof of infants church-membership and baptism : being the arguments prepared for (and partly managed in) the publick dispute with Mr. Tombes at Bewdley on the first day of Jan. 1649 .. : Baxter, Richard, 1615-1691.
- 2020-01-15
- 1
Editorial Naumachia or Roman ship-dispute ..., Illustration of a Naumachia for the reconstruction of naval battles from the 18th century, signed: I. B. F. v. Chr., E. del, Delsenbach Sculp, TA., VI, S. 107, Fischer von Erlach, Johann Bernhard (del.); Delsenbach,...
- 2020-01-15
- 1
Editorial Descartes and the boatmen of the Elbe, Ren? Descartes in dispute with ferrymen on the Elbe, Signed:?, Fig. 9, after p. 174, 1869, Louis Figuier: Vies des savants illustres: depuis l'antiquit? jusqu'au dix-neuvi?me si?cle. Paris: librairie international...
- 2020-01-15
- 1
Editorial 48 [forty-eight] hours dispute, July, 1897 to January, 1898. List of the federated engineering and shipbuilding employers who resisted the demand for 48 hours' working week : Engineering and Allied Employers' National Federation.
- 2020-01-15
- 1
Editorial Christ as a twelve-year-old in the temple Vita Deiparae Virginis Mariae (series title) Life of the Virgin Mary (series title), Christ sits in the temple on a throne, behind him two angels. He explains the script to the scribes. Joseph and Mary enter th...
- 2020-01-15
- 1
Editorial Banyan Floral banyan Dressing gown, Dressing gown of cotton printed with floral pattern in block print, with raised collar and lapel. Model: Fitted, with tight-fitting long sleeves with folded back cuffs with three buttons lined with the same fabric. S...
- 2020-01-15
- 1
Editorial Shield of a choir mantle with the dispute of St. Catherine of Alexandria, Back shield of a choir hood, with embroidery. The dispute of Catherine of Alexandria with Emperor Maxentius and philosophers is embroidered on the back shield, the dispute of St....
- 2019-12-18
- 1
Editorial Jesus among the scribes, Jesus, as a boy, sits on a platform surrounded by listeners. Two people on each side and three people on a slightly lower bench opposite him. Jesus holds the left hand in front of the waist and the right arm bent and slightly f...
- 2019-12-18
- 1
Editorial Adam and Eve Under a Tree (recto); Two Men in Dispute (verso). Hermann Weyer; German, c. 1596-1621. Date: 1605-1621. Dimensions: 184 x 156 mm. Pen and black ink, with brush and gray and brown wash, heightened with white gouache, on cream laid paper. Or...
- 2019-12-17
- 1
Editorial Panel of an Altarpiece with Dispute with the Doctors, on verso is Appearance of Christ to his Mother, attributed to Master of Alkmaar, c. 1520 - c. 1535.
- 2019-12-17
- 1
Editorial Adam and Eve Under a Tree (recto); Two Men in Dispute (verso). Hermann Weyer; German, c. 1596-1621. Date: 1605-1621. Dimensions: 184 x 156 mm. Pen and black ink, with brush and gray and brown wash, heightened with white gouache, on cream laid paper. Or...
- 2019-11-18
- 1
Editorial Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
- 2019-11-18
- 1
Editorial Study for a Seated Prelate (Saint Gregory the Great).
- 2019-11-18
- 1
Editorial The Rebellions of the Hogen and Heiji Eras.
- 2019-11-18
- 1
Editorial The Dispute of the Church Fathers over the Holy Sacrament.
- 2019-11-18
- 1
Editorial Cuneiform tablet with a small second tablet: private letter.
- 2019-11-18
- 1
Editorial The Virgin Protectress of the City of Siena.
- 2019-11-18
- 1
Editorial The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception).
- 2019-11-18
- 1
Editorial Comactis viridis, Print, Anemonia sulcata, or Mediterranean snakelocks sea anemone, is a species of sea anemone in the family Actiniidae from the Mediterranean Sea. Whether it should be recognized as a valid species of its own or is better included in ...
- 2019-11-18
- 1
Editorial Pachycephala gutturalis, Print, The Australian golden whistler (Pachycephala pectoralis), or golden whistler, is a species of bird found in forest, woodland, mallee, mangrove and scrub in Australia (except the interior and most of the north) Most popul...
- 2019-11-18
- 1
Editorial Stercorarius antarctica, Print, The brown skua (Stercorarius antarcticus), also known as the Antarctic skua, subantarctic skua, southern great skua, southern skua, or hakoakoa (Maori), is a large seabird that breeds in the subantarctic and Antarctic zo...
- 2019-11-18
- 1
Editorial Stercorarius antarctica, Print, The brown skua (Stercorarius antarcticus), also known as the Antarctic skua, subantarctic skua, southern great skua, southern skua, or hakoakoa (Maori), is a large seabird that breeds in the subantarctic and Antarctic zo...
- 2019-11-18
- 1
Editorial Anemonia sulcata, Print, Anemonia sulcata, or Mediterranean snakelocks sea anemone, is a species of sea anemone in the family Actiniidae from the Mediterranean Sea. Whether it should be recognized as a valid species of its own or is better included in ...
- 2019-11-18
- 1
Editorial The Dispute Between Neptune and Athena.
- 2019-10-28
- 1
Editorial Dispute between man and wife, comedy scene. Krater from Apulia, mid 4th Inv. IV 466.
- 2019-07-16
- 1
Editorial (top), The third angel blows a trumpet; the third vision (a star falling from heaven). (bottom), The fourth angel blows a trumpet; the fourth vision (part of the sun, moon, and waters smitten,and the eagle). Apocalypse ('The Queen Mary Apocalypse'). En...
- 2019-07-16
- 1
Editorial John kneels before Christ. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on blue and rose ...
- 2019-07-16
- 1
Editorial Angel beckons to four figures with gloves issuing from the gate of Babylon. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gol...
- 2019-07-16
- 1
Editorial The dragon: above, on the right, the woman in bed, and her child being caught up to heaven. . Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures...
- 2019-07-16
- 1
Editorial John on the left; in the centre a mandorla, enclosing a ship on the sea, between four angels holding the winds; on the right, the fifth angel. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th ...
- 2019-07-16
- 1
Editorial John on the left: in centre above, the Son of Man with crown and sickle on an inverted arc of cloud: below, the Son of Man reaps, and an angel emerges from a door. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First...
- 2019-07-16
- 1
Editorial The image of the first beast and five worshippers: in the centre, the beast rises from the earth: on the right, an executioner and two victims. . Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14...
- 2019-07-16
- 2
Editorial John on the left; an angel empties the first vial: men look on. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoratio...
- 2019-07-16
- 1
Editorial John and representatives of the churches. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on...
- 2019-07-16
- 1
Editorial The horses and their riders. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on blue and ros...
- 2019-07-16
- 1
Editorial Michael and three angels spear the dragon. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold o...
- 2019-07-16
- 1
Editorial The fifth angel blows a trumpet; the fifth vision (the opening of the Bottomless Pit). Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colo...
- 2019-07-16
- 1
Editorial The Son of Man between the seven candlesticks, with John at the left. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Dec...
- 2019-07-16
- 1
Editorial Above, in an inverted arc of rainbow, God the Father, holds the Lamb; below, John on the left; the city and the tree of life; in front, the river. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 1...
- 2019-07-16
- 1
Editorial Above, in the centre, in a mandorla between the four beasts, God enthroned with the Lamb in His right hand and the book in His left; below, three rows of adoring angels: the multitude with palms in a fourth row below. Apocalypse ('The Queen Mary Apocal...
- 2019-07-16
- 1
Editorial Above, in the centre, in a mandorla, God enthroned, with the books; on either side worshippers; below, souls in the mouth of hell. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The...
- 2019-07-16
- 1
Editorial A lion's mouth and on an inverted arc of cloud six heads representing the seven thunders: below, on the left, the angel, and on the right, John about to write in the book. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Angli...
- 2019-07-16
- 2
Editorial Lion-headed beast on the left; angels with plagues issuing from the Temple. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gol...
- 2019-07-16
- 1
Editorial John on the left; the rider on the black horse; above, the calf. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decorati...
- 2019-07-16
- 1
Editorial John on the left; angel with sickle above, angel issues from the altar; below, the wine-press: on the right, the flood comes up to the horse-bridles. . Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of...
- 2019-07-16
- 1
Editorial John on the left; the angel above points to the walls of the new Jerusalem. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gol...
- 2019-07-16
- 2
Editorial The second flying angel; the Lamb on the mount and in front an altar with cup surrounded by fire. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatu...
- 2019-07-16
- 1
Editorial Above, in a mandorla between four groups of six angels, God enthroned: below, two groups of fourteen kneeling figures: the beasts in the corners. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14...
- 2019-07-16
- 2
Editorial Above, in centre, in a mandorla, God enthroned; the Lamb is shown both in a medallion on the left, with seven horns and eyes, and passing over to the mandorla to touch the book: below, the elders with harps and vials: the beast, in the corners. Apocaly...
- 2019-07-16
- 1
Editorial The angel seated on an arc of cloud, his feet on the sea and land; an inverted rainbow behind his head. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 m...
- 2019-07-16
- 1
Editorial Paul preaching. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on blue and rose grounds wit...
- 2019-07-16
- 1
Editorial The angel with the millstone. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on blue and ro...
- 2019-07-16
- 1
Editorial The angel gives John a flowering reed. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on bl...
- 2019-07-16
- 1
Editorial In the left margin, the seventh angel with trumpet; the king, seated, gives orders to an executioner who tramples on three blindfolded corpses and is about to behead a fourth victim; on the right, a fifth not yet blindfolded emerges from a door, and tw...
- 2019-07-16
- 1
Editorial The second angel blows a trumpet; the second vision (the sea being poisoned as a fiery mountain is cast into the sea). Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminatio...
- 2019-07-09
- 1
Editorial The first angel blows a trumpet; the first vision (fire from the heavens fall upon the earth). Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures...
- 2019-07-09
- 1
Editorial John seated, writing; an angel stands behind his desk. . Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Init...
- 2019-07-09
- 1
Editorial John on the left, raised by the angel; above, the head of God. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration...
- 2019-07-09
- 1
Editorial John and the elder, who wears a crown. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on bl...
- 2019-07-09
- 1
Editorial John on the left; five souls, the first two being given robes by two angels on the right, the last three kneeling. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations i...
- 2019-07-09
- 1
Editorial Above, in the centre, in a mandorla, God enthroned; on either side and below, worshippers; the beasts in the corners. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illumination...
- 2019-07-09
- 2
Editorial The woman: from an upright arc of cloud on each side of her issue three heads representing thunders: in the left arc, John; in the right arc, foliated ornament. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First qu...
- 2019-07-09
- 1
Editorial John on the left: the angel above; below, ravens and wild beasts among the ruins of Babylon. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures i...
- 2019-07-09
- 1
Editorial God gives John a measuring rod: the temple on the right. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Init...
- 2019-07-09
- 1
Editorial , The sixth angel blows a trumpet; the sixth vision (the loosing of the four angels bound in the River Euphrates). Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations i...
- 2019-07-09
- 1
Editorial John on the left; frogs emerge from the mouths of the dragon, the beast, and two false prophets. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatur...
- 2019-07-09
- 1
Editorial John on the left; above, seven angels with plagues (in vials); below, seven angels with harps. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures...
- 2019-07-09
- 1
Editorial Two angels proclaim salvation. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on blue and r...
- 2019-07-09
- 1
Editorial Issuing from the mouth of hell, the rider on the pale horse; John on the right; above, the eagle. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatu...
- 2019-07-09
- 1
Editorial The Rider on the white horse and his followers; John above, on the left. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. ...
- 2019-07-09
- 1
Editorial John on the left; the flying angel and eight kneeling figures. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration...
- 2019-07-09
- 1
Editorial John on the left; the angel speaks to him from above and points to the whore sitting on the waters; the whore, in dull purple, sits on the beast and holds a cup. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First q...
- 2019-07-09
- 1
Editorial Second and third vials emptied. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on blue and ...
- 2019-07-09
- 1
Editorial John mounts a ladder to the opened doors of heaven; an angel takes him by the wrist. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colour...
- 2019-07-09
- 1
Editorial John on the left; the Lamb on the mount, worshippers kneeling on each side. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gol...
- 2019-07-09
- 1
Editorial An angel empties the seventh vial; above, an angel issues from the Temple; below, Babylon falls in ruins; thunders, and men hidden in the earth. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14t...
- 2019-07-09
- 2
Editorial John on the left; the angel on a mound; the whore sits on the waters. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Dec...
- 2019-07-09
- 1
Editorial On the left, in a medallion above, God the Father: below, an altar, and on the right, angels with trumpets and censer and pouring the fire on the earth. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of...
- 2019-07-09
- 2
Editorial John on the left; five souls. Apocalypse ('The Queen Mary Apocalypse'). England, S. E. (London), or East Anglia. First quarter of the 14th century. The illuminations include 73 miniatures in colours and gold. Decoration: Initials in gold on blue and ro...
- 2019-07-09
- 1
Editorial The Dispute in the Temple. Date/Period: Ca. 1525 - 1530. Folio. Tempera colors, gold paint, and gold leaf on parchment. Height: 168 mm (6.61 in); Width: 114 mm (4.48 in).
- 2019-04-16
- 1
Editorial The Dispute of Saint Catherine. Date/Period: 1551. Painting. Oil on panel. Height: 580 mm (22.83 in); Width: 310 mm (12.20 in).
- 2019-04-09
- 1
Editorial Dispute of Spouses who are Always Angry. Jos? Guadalupe Posada; Mexican, 1852-1913. Date: 1907-1913. Dimensions: 299 x 401 mm. Relief print on paper. Origin: Mexico.
- 2019-04-01
- 1
Editorial Dispute of Spouses who are Always Angry. Attributed to Jos? Guadalupe Posada; Mexican, 1852-1913. Date: 1907-1913. Dimensions: 301 x 200 mm. Relief print on paper. Origin: Mexico.
- 2019-04-01
- 1
Editorial A Neighborhood Dispute. Jos? Guadalupe Posada; Mexican, 1852-1913. Date: 1902-1912. Dimensions: 294 x 199 mm. Double-sided relief engraving on zinc on paper. Origin: Mexico.
- 2019-04-01
- 1
Editorial Giovanni Balducci / 'The Youthful Christ Leaving the Temple after his Dispute with the Doctors; Accompanied by the Virgin Mary and St. Joseph'. First third of the XVII century. Wash, White lead, Pencil, Pencil ground, Grey-brown ink on grey paper.
- 2019-04-01
- 1
Editorial Giovanni Balducci / 'The Youthful Christ Leaving the Temple after his Dispute with the Doctors; Accompanied by the Virgin Mary and St. Joseph'. First third of the XVII century. Wash, White lead, Pencil, Pencil ground, Grey-brown ink on grey paper.
- 2019-03-22
- 1
Editorial Dispute of Spouses who are Always Angry. Jos? Guadalupe Posada; Mexican, 1852-1913. Date: 1907-1913. Dimensions: 299 x 401 mm. Relief print on paper. Origin: Mexico.
- 2019-03-18
- 1
Editorial Dispute of Spouses who are Always Angry. Attributed to Jos? Guadalupe Posada; Mexican, 1852-1913. Date: 1907-1913. Dimensions: 301 x 200 mm. Relief print on paper. Origin: Mexico.
- 2019-03-18
- 1
Editorial A Neighborhood Dispute. Jos? Guadalupe Posada; Mexican, 1852-1913. Date: 1902-1912. Dimensions: 294 x 199 mm. Double-sided relief engraving on zinc on paper. Origin: Mexico.
- 2019-03-18
- 1
Editorial Adam and Eve Under a Tree (recto); Two Men in Dispute (verso). Hermann Weyer; German, c. 1596-1621. Date: 1605-1621. Dimensions: 184 x 156 mm. Pen and black ink, with brush and gray and brown wash, heightened with white gouache, on cream laid paper. Or...
- 2019-03-18
- 1
Editorial The Dispute between the Muses and the Daughters of Pierios on Parnassus. Enea Vico; Italian, 1523-1567. Date: 1553. Dimensions: 245 x 384 mm. Engraving, printed in black, on paper. Origin: Italy.
- 2019-03-18
- 1
Editorial The Return From the Hunt.
- 2019-02-22
- 1
Editorial Plaque: Warrior and Attendants.
- 2019-02-22
- 1
Editorial The Dispute Between Neptune and Athena.
- 2019-02-22
- 1
Editorial The Virgin Protectress of the City of Siena.
- 2019-02-22
- 1
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