EditorialPierre-Auguste Renoir: Reclining Nude (Femme nue couch?e), Pierre-Auguste Renoir, c. 1910, Oil on canvas, Renoir painted the nude figure obsessively, especially during the later decades of his career when he had turned away from impressionism. Here, as...
EditorialWilliam James Glackens: Self-Portrait, William James Glackens, 1908, Oil on canvas, Philadelphia native William Glackens was one of the most important American painters and illustrators of the early 20th century. He is best known for his work as a memb...
EditorialPierre-Auguste Renoir: Leaving the Conservatory (La Sortie du conservatoire), Pierre-Auguste Renoir, 1876?1877, Oil on canvas, Renoir uses subtle body language to convey the flirtatious nature of this exchange among a group of young Parisians gathered ...
EditorialPierre-Auguste Renoir: Leaving the Conservatory (La Sortie du conservatoire), Pierre-Auguste Renoir, 1876?1877, Oil on canvas, Renoir uses subtle body language to convey the flirtatious nature of this exchange among a group of young Parisians gathered ...
EditorialMaurice Brazil Prendergast: Idyl, Maurice Brazil Prendergast, c. 1912?1915, Oil on canvas, Maurice Prendergast was an American artist who applied the lessons of French post-impressionism to his own work. The bold brushwork you see here, for example, wh...
EditorialPierre-Auguste Renoir: Reclining Nude (Femme nue couch?e), Pierre-Auguste Renoir, c. 1910, Oil on canvas, Renoir painted the nude figure obsessively, especially during the later decades of his career when he had turned away from impressionism. Here, as...
EditorialLe Pont Neuf, ca. 1912?14, Watercolor and gouache on cream wove paper, upper edge torn from notebook, 9 13/16 x 7 1/2 in. (25 x 19 cm), Drawings, Hippolyte Petitjean (French, M?con 1854?1929 Paris), Hippolyte Petitjean mastered to perfection the Neo-Im...
EditorialManet's Studio in the Batignolles, 1870, Lithographic crayon, oil paint, and black ink, 11 1/2 x 15 1/2 in. (29.2 x 39.4cm), Drawings, Henri Fantin-Latour (French, Grenoble 1836?1904 Bur?), This drawing depicts Fantin-Latour?s circle of friends and fel...
EditorialThe Artist's Garden at St. Clair, 1904?5, Watercolor, Sheet: 10 1/2 x 14 1/8 in. (26.6 x 35.8cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856?1910 Saint-Clair), The art of Henri-Edmond Cross belongs to the later years of N...
EditorialCharles-Franc_ois Daubigny (1817-1878). French painter. Barbizon school. He is considered an important precursor of Impressionism. Portrait. Engraving. "La Ilustracion Iberica", 1891. Colored.
EditorialHenri de Toulouse-Lautrec (1864-1901). French painter. Post-Impressionism. Dance at the Moulin Rouge (La Goulue and Valentin or Desossee), 1895. Oil on canvas. Orsay Museum. Paris. France.
EditorialCharles-Franc_ois Daubigny (1817-1878). French painter. Barbizon school. He is considered an important precursor of Impressionism. Portrait. Engraving. "La Ilustracion Iberica", 1891.
EditorialPablo Picasso (1881-1973). Spanish painter. Woman with necklace of gems. 1901. Post-Impressionism. Early Years. The Israel Museum. Jerusalem. Detail.
EditorialOlga Boznan_ska (1865-1940). Polish painter. Stylistically associated with the French impressionism. Flower Girls, 1889. Museum Gallery. Krakow. Poland.
EditorialTHE BETROTHAL by OTTO ERDMANN. Otto Wilhelm Eduard Erdmann (born 1834 ? died 1905) was a German Realism-Impressionism painter, famous for his fine interior scenes with figures from the 18th century.