EditorialFigure with Umbrella, Tao Yun (Chinese), Qing dynasty, about 1800, ink and color on silk, hanging scroll, 37-1/4 x 11-3/4 in. (image) 61 x 17-3/16 in. (installed), Signed: Yun, 3 seals: Tao Yun; Xiyuan; 1 [undecipherable], Asian Art.
EditorialInvitation to Reclusion at Chaisang, Shen Zhou (Chinese, 1427-1509), Ming dynasty, 1427-1509, ink and color on paper, 7-3/8 x 43-3/8 in. (image) 9-3/4 x 430-3/4 in. (overall), 2 seals: Qinan, Colophons: Zhang Bi (1425-1487) transcription of Guiqu laici...
EditorialInvitation to Reclusion at Chaisang, Shen Zhou (Chinese, 1427-1509), Ming dynasty, 1427-1509, ink and color on paper, 7-3/8 x 43-3/8 in. (image) 9-3/4 x 430-3/4 in. (overall), 2 seals: Qinan, Colophons: Zhang Bi (1425-1487) transcription of Guiqu laici...
EditorialFigure with Umbrella, Tao Yun (Chinese), Qing dynasty, about 1800, ink and color on silk, hanging scroll, 37-1/4 x 11-3/4 in. (image) 61 x 17-3/16 in. (installed), Signed: Yun, 3 seals: Tao Yun; Xiyuan; 1 [undecipherable], Asian Art.
EditorialFigure with Umbrella, Tao Yun (Chinese), Qing dynasty, about 1800, ink and color on silk, hanging scroll, 37-1/4 x 11-3/4 in. (image) 61 x 17-3/16 in. (installed), Signed: Yun, 3 seals: Tao Yun; Xiyuan; 1 [undecipherable], Asian Art.
EditorialTao from China of Wang-mang (Shi-kwan-quince), 9 after Chr -13 after Chr, China, tao, Wang-mang (Shi-kwan-quince), 9 after Chr -13 AD, Brass coin in the shape of a knife. Front: two signs on round 'hilt' with square bore and five Chinese characters on ...
EditorialInvitation to Reclusion at Chaisang, Shen Zhou (Chinese, 1427-1509), Ming dynasty, 1427-1509, ink and color on paper, 7-3/8 x 43-3/8 in. (image) 9-3/4 x 430-3/4 in. (overall), 2 seals: Qinan, Colophons: Zhang Bi (1425-1487) transcription of Guiqu laici...
EditorialInvitation to Reclusion at Chaisang, Shen Zhou (Chinese, 1427-1509), Ming dynasty, 1427-1509, ink and color on paper, 7-3/8 x 43-3/8 in. (image) 9-3/4 x 430-3/4 in. (overall), 2 seals: Qinan, Colophons: Zhang Bi (1425-1487) transcription of Guiqu laici...
EditorialReturning Peasants in a Spring Evening, early 1600s. Tao Hong (Chinese, active c. 1610-1640). Album leaf, ink and color on silk; overall: 24.5 x 26.7 cm (9 5/8 x 10 1/2 in.).
EditorialA Solitary Crane in the Bamboo Grove, early 1600s. Tao Hong (Chinese, active c. 1610-1640). Album leaf, ink and color on silk; overall: 24.5 x 26.7 cm (9 5/8 x 10 1/2 in.).
EditorialAdd. 22689, ff.10-11 Mei Fu, an officer. A Keepsake from the Cloud Gallery/Yuntai Xianrui. China, 1750. Mei Fu, an officer in nanchang who studied Dao/Tao first on chicken Coop Mountain, then on Flying swan Mountain,flies off on a Green Phoenix. Image...
EditorialAdd. 22689, ff.28-29 Tao Hongjing the Hermit of Flowered Brightness. A Keepsake from the Cloud Gallery/Yuntai Xianrui. China, 1750. Tao Hongjing (451-536 AD) began pounding rocks to make Daoist/Taoist elixirs of immortality ( according to Gao Hong's re...
EditorialAdd. 22689, ff.10-11 Mei Fu, an officer. A Keepsake from the Cloud Gallery/Yuntai Xianrui. China, 1750. Mei Fu, an officer in nanchang who studied Dao/Tao first on chicken Coop Mountain, then on Flying swan Mountain,flies off on a Green Phoenix. Image...
EditorialAdd. 22689, ff.28-29 Tao Hongjing the Hermit of Flowered Brightness. A Keepsake from the Cloud Gallery/Yuntai Xianrui. China, 1750. Tao Hongjing (451-536 AD) began pounding rocks to make Daoist/Taoist elixirs of immortality ( according to Gao Hong's re...