EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialThe Tibetan filmmaker Pema Tseden, whose work tackled themes like the loss of Tibetan traditions and identity in the face of modernization, at his home in Beijing, on April 13, 2019. (Gilles Sabrié/The New York Times)
EditorialOn a laptop, e-mails sent by Christopher Massimine to his wife Maggie in 2018 in which he pretended to be in Tibet on Mount Everest, at home in Queens, Oct. 21, 2022. (Dave Sanders/The New York Times)
EditorialAn undated photo provided by Wen Yan of her quarantine facility in Lhasa, Tibet: an unfinished apartment complex with water backed up in the bathroom. (Wen Yan via The New York Times)
EditorialTibetan's in Vancouver protest outside The Peoples Republic of China Consulate during international observance of Human Rights Day, Bc, Canada - 10 Dec 2012