EditorialTitled “An Archaeology of Silence,” 2022, Kehinde Wiley’s 17.5-foot-tall bronze sculpture depicts a lifeless man draped over a horse, in San Francisco, Calif., on March 14, 2023. (Ian C. Bates/The New York Times)
EditorialTitled “An Archaeology of Silence,” 2022, Kehinde Wiley’s 17.5-foot-tall bronze sculpture depicts a lifeless man draped over a horse, in San Francisco, Calif., on March 14, 2023. (Ian C. Bates/The New York Times)
EditorialRoger Michel, executive director of the Institute of Digital Archaeology in Banbury, England, in June 2022. (Francesca Jones/The New York Times)