EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialThe New York-based artist Sanford Biggers, who saw the Chazen Museum’s discomfort over showing Thomas Ball’s “The Emancipation Group”as an opportunity “to open things up”, in his studio in the Bronx on April 13, 2023. (Mary Inhea Kang/The New York Times)
EditorialValarie Spiegel, the managing editor of video games at Heritage Auctions, in Dallas, Texas on Jan. 26, 2023. (Zerb Mellish/The New York Times)
EditorialValarie Spiegel, the managing editor of video games at Heritage Auctions, in Dallas, Texas on Jan. 26, 2023. (Zerb Mellish/The New York Times)
EditorialValarie Spiegel, the managing editor of video games at Heritage Auctions, in Dallas, Texas on Jan. 26, 2023. (Zerb Mellish/The New York Times)
EditorialValarie Spiegel, the managing editor of video games at Heritage Auctions, in Dallas, Texas on Jan. 26, 2023. (Zerb Mellish/The New York Times)
EditorialValarie Spiegel, the managing editor of video games at Heritage Auctions, in Dallas, Texas on Jan. 26, 2023. (Zerb Mellish/The New York Times)
EditorialValarie Spiegel, the managing editor of video games at Heritage Auctions, in Dallas, Texas on Jan. 26, 2023. (Zerb Mellish/The New York Times)
EditorialThe artist Willie Cole in his studio at Express Newark, where he has been assembling chandeliers made from thousands of used plastic water bottles, in Newark, N.J., Feb. 14, 2023. (Rachel Vanni/The New York Times)