Scenes from the Tale of Genji right of a pair, 17th century, Unknown Japanese, 59 1/4 ¡Ñ 141 11/16 in. (150.5 ¡Ñ 359.89 cm) (image)65 3/4 ¡Ñ 148 1/2 ¡Ñ 5/8 in. (167.01 ¡Ñ 377.19 ¡Ñ 1.59 cm) (mount), ink, color, and gold on paper, Japan, 17th century, In some ways, this pair of screens is quite typical of Edo-period paintings of The Tale of Genji. The artist frames each individual scene with scalloped gold clouds. He also uses the fukinuki-yatai (literally, 'blown-off roof') method of depicting architectural spaces, so that viewers gain an unobstructed bird¡¦s-eye view of buildings' interiors. This convention can be traced back to the earliest depictions of The Tale of Genji from the 1100s. The content of these screens, however, is anything but conventional. While many artists of Genji screens arranged scenes sequentially from right to left or in seasonal order from spring to fall, this artist developed a far more sophisticated organization in which the relationships between illustrated scenes is not easily understood without vast knowledge of the original novel. Indeed, the organizing principle of this painting is not yet fully understood.