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The Blind Girl, 1856. The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854. The two girls in the foreground and the middle ground were added later in Perth in 1855. The models were Matilda Proudfoot as the blind girl and Isabella Nichol as her younger sister. Millais had first used his wife Effie but then replaced her with Matilda. The scene deals with the contemporary social problem of homelessness, focusing on the predicament of children and the disabled.

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TOP26299285

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達志影像

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weather vertical exterior outdoors animal countryside hill hills field fields female people childhood child children girl girls two stream music landscape sitting arts painting bird birds hugging youth playing musician hope rainbow insect insects butterflies butterfly art serious friends rest resting sad clothes intimacy British raining rain museum geography color innocence friend dress rustic poor poverty farmland location Victorian century musical instrument musical instruments gallery adversity Britain disability innocent bonding disabled clothing blind begging supporting intimate concept mate seated beggar beggars eyes closed disabilities shawl art gallery cloak Colour Day Eyes Shut 19th century nineteenth century rural history concertina artistic school geographical feature Pre-Raphaelite rural life sun blind outside Birmingham Museum and Art Gallery togetherness Birmingham Museum &Art Gallery John Everett Millais Sir John Everett Millais John Everett Millais RA artistic style Millais John Everett Regionalism Pre-Raphaelite Brotherhood playing an instrument art centre Birmingham Museums and Art Gallery Birmingham Museums Trust John Millais Millais John Sir John Millais Heritage Art Sir JE Millais

&19th Art Art Art Art Birmingham Birmingham Birmingham Birmingham Britain British Brotherhood Colour Day Everett Everett Everett Everett Eyes Gallery Gallery Gallery Heritage JE John John John John John John John Millais Millais Millais Millais Millais Millais Millais Millais Museum Museum Museums Museums Pre-Raphaelite Pre-Raphaelite RA Regionalism Shut Sir Sir Sir Trust Victorian adversity an and and animal art art art artistic artistic arts beggar beggars begging bird birds blind blind bonding butterflies butterfly centre century century century child childhood children cloak closed clothes clothing color concept concertina countryside disabilities disability disabled dress exterior eyes farmland feature female field fields friend friends gallery gallery geographical geography girl girls hill hills history hope hugging innocence innocent insect insects instrument instrument instruments intimacy intimate landscape life location mate museum music musical musical musician nineteenth outdoors outside painting people playing playing poor poverty rain rainbow raining rest resting rural rural rustic sad school seated serious shawl sitting stream style sun supporting togetherness two vertical weather youth

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