EditorialInterior: A Sultana taking Coffee in the Harem. Giovanni Antonio Guardi; Italian, 1699-1760. Date: 1742-1743. Dimensions: 18 1/16 ? 24 3/4 in. (46 ? 63 cm). Oil on canvas. Origin: Italy.
EditorialThe Bucintoro Festival of Venice. Date/Period: From 1727 until 1793. Painting. Oil on canvas. Height: 980 mm (38.58 in); Width: 1,380 mm (54.33 in).
EditorialTemporary Tribune in the Campo San Zanipolo, Venice. Dated: 1782 or after. Dimensions: overall: 37.5 x 31.5 cm (14 3/4 x 12 3/8 in.) framed: 51.1 x 44.7 cm (20 1/8 x 17 5/8 in.). Medium: oil on canvas.
EditorialFrancesco Guardi (1712-1793).Venetian painter. Regatta on the Grand Canal by the Rialto Bridge, 1780s. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
EditorialFrancesco Guardi (1712-1793). Venetian painter. The Feast of the Ascension in St Mark's Square, ca. 1775. Detail. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.
EditorialAdoration of the Shepherds (recto); Three Sketches: Buildings by Canal with Boats, Landscape with Buldings on Hillside, Buildings with Portico (verso). Francesco Guardi; Italian, 1712-1793. Date: 1755-1770. Dimensions: 378 x 518 mm. Pen and brown ink a...
EditorialGateway Near a Landing Bridge. Francesco Guardi; Italian, 1712-1793. Date: 1780-1785. Dimensions: 304 x 456 mm. Pen and brown ink and brush and brown wash, over black chalk, on ivory laid paper. Origin: Italy.
EditorialCapriccio with a Squall on the Lagoon. Francesco Guardi; Italian, 1712-1793. Date: 1775-1780. Dimensions: 271 x 385 mm. Pen and brown ink and brush and brown wash, over black chalk, on ivory laid paper. Origin: Italy.
EditorialA Capriccio with a Ruined Gothic Arch. Francesco Guardi; Italian, 1712-1793. Date: 1770-1789. Dimensions: 175 x 248 mm. Pen and brown ink, and brush and brown wash, over traces of black chalk on ivory laid paper. Origin: Italy.
EditorialBacino di San Marco with the Dogana del Mare and Santa Maria della Salute. Francesco Guardi, style of; Italian, 1712-1793. Date: 1783-1793. Dimensions: 430 x 646 mm. Pen and brown ink with brush and brown wash, over traces of graphite(?), on ivory laid...
EditorialFarmers and Fisherman Working, 18th century. Francesco Guardi (Italian, 1712-1793). Pen and brown ink over black chalk; sheet: 9 x 12.1 cm (3 9/16 x 4 3/4 in.).
EditorialArchitectural Capriccio: A Vaulted Passageway (recto); Ruined Loggia (verso), 18th century, Pen and brown ink, brush and brown wash (recto). Framing lines in pen and brown ink. Pen and brown ink (verso), 6 3/8 x 5in. (16.2 x 12.7cm), Drawings, Francesc...
EditorialCapriccio with a Square Tower and Two Houses, 18th century, Italian, Oil on paper, laid down on Masonite, 2 1/4 x 3 3/8 in. (5.7 x 8.6 cm), Paintings, Follower of Francesco Guardi.
EditorialCapriccio with an Island, a Tower, and Houses, 18th century, Italian, Oil on paper, laid down on Masonite, 2 1/8 x 3 1/2 in. (5.4 x 8.9 cm), Paintings, Follower of Francesco Guardi.
EditorialCapriccio with a Circular Tower, Two Houses, and a Bridge, 18th century, Italian, Oil on paper, laid down on Masonite, 2 1/8 x 3 1/2 in. (5.4 x 8.9 cm), Paintings, Follower of Francesco Guardi.
EditorialCapriccio with Roman Ruins, 18th century, Pen and brown ink, brush and brown wash, over graphite; framing outlines in pen and brown ink drawn by the artist; sheet glued onto secondary paper support, sheet: 10 7/8 x 15 3/4 in. (27.6 x 40 cm), Drawings, ...
EditorialFrancesco Lazzaro Guardi (1712-1793). Italian painter. Venetian School. The Doge at the Basilcia of La Salute. The Venetian Doge goes to health on the anniversary of the end of the plague of Nov. 21, 1630". 1775. Louvre Museum. Paris. France.
EditorialIl Ridotto-the foyer or main room of the gaming house in the Palazzo Dandolo at San Moise, Venice. The walls are still covered with the " cuori d'oro", as they were before the redecoration in 1768. Oil on canvas.
EditorialLe Doge de Venise suit la procession du Corpus Domini Piazza San Marco. The Doge at the Corpus Christ procession in St. Marc' s Square, Venice. Canvas, 67 x 98 cm INV. 322.
EditorialThe Miracle of a Dominican Saint. Saint Hyacinth saves pilgrims during the collapse of a Djenpr river bridge. Oil on canvas (1763) 122 x 172 cm Inv. 6811.
EditorialARTE SIGLO XVIII. ITALIA. FRANCESCO LAZZARO GUARDI (1712-1793). Pintor italiano de la Escuela Veneciana. "VENECIA. PLAZA DE SAN MARCOS CON LA BASILICA Y EL CAMPANILE" (1775-1780). Instituto de Arte de Chicago. Estado de Illinois. Estados Unidos.